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Comparison TCL 50C655 50 " vs TCL 50C645 50 "

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TCL 50C655 50 "
TCL 50C645 50 "
TCL 50C655 50 "TCL 50C645 50 "
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Size50 "50 "
Operating systemGoogle TV (Android TV)Google TV (Android TV)
Display
MatrixQLEDQLED
Backlight typeDirect LED
Screen surfacematteanti-glare
Resolution3840x2160 px3840x2160 px
Upscalingup to 4Kup to 4K
Brightness430 cd/m²
Static contrast5 000:1
Frame rate60 Hz60 Hz
HDR supportHDR10+, Dolby VisionHDR10+, Dolby Vision
Brightness / contrast enhancement
Colour enhancement
Multimedia
Speaker systemONKYO
Sound power20 W20 W
Number of speakers22
Audio decodersDolby Atmos, DTS Virtual:X, DTS-HD, Dolby AC4, Dolby TrueHDDolby Atmos, DTS
Digital tuner
DVB-T2 (terrestrial)
DVB-C (cable)
DVB-S2 (satellite)
DVB-T2 (terrestrial)
DVB-C (cable)
DVB-S2 (satellite)
Picture-in-picture
Features
Features
Wi-Fi 5 (802.11ac)
Miracast
Chromecast
Bluetooth v 5.0
voice control
Amazon Alexa
Google Assistant
Wi-Fi 5 (802.11ac)
Chromecast
Bluetooth
voice control
Amazon Alexa
Google Assistant
Connectors
HDMI33
HDMI versionv 2.1v 2.1
HDMI technologiesALLM, CEC, eARCALLM
Additional inputs
USB x2
LAN
composite AV input
USB
LAN
component
Outputs
optical
mini-Jack (3.5 mm) headphones
optical
General
Built-in memory32 GB
RAM2 GB
Wall mountVESA 300x300 mmVESA 200x200 mm
Stand shape2 separate legs2 separate legs
Power consumption65 W113 W
Energy efficiency class (new)FG
Dimensions (WxHxD)1111x709x297 mm1112x700x265 mm
Dimensions without stand (WxHxD)1111x646x80 mm1112x648x80 mm
Weight8.8 kg9.1 kg
Color
Added to E-Catalogapril 2024april 2023
Glossary

Backlight type

Edge LED — side backlight of the matrix. In this case, the LEDs are distributed around the perimeter of the screen. To evenly distribute the backlight, the background of the matrix has a special reflector. An important advantage of TVs with Edge LED backlighting is the minimum thickness of the device. Among the shortcomings, one can note the presence of glare at the edges, which appear under certain conditions. Glare may be visible in scenes where dark hues predominate.

Direct LED — rear matrix backlight. In this case, the LEDs are evenly distributed over the entire screen area. The Direct LED backlight makes the image contrast and bright at the same time. TVs with this technology have good colour reproduction. Among the shortcomings can be noted increased power consumption and increased dimensions. Additionally, such TVs have a large delay (Input lag), which is why Direct LED backlit screens are poorly suited for dynamic games.

FALD (Full-Array Local Dimming) is a backlight technology widely used in LG TVs. A close analogue of FALD is the Direct LED backlight. The LEDs are also evenly spaced across the entire surface of the matrix, but FALD technology provides a bright, colour-rich image with high contrast. Another distinctive feature of FALD is the ability to reproduce natural blacks. When black is displayed on the screen, the LEDs are turn...ed off in groups, by sector, which allows to make black extremely saturated. Of course, the abundance of LEDs on the matrix makes the TV more massive, and at the same time heavy. The appetite for electricity in such models is above average.

Mini LED. Screen backlight system on a substrate of reduced LEDs (hence the Mini prefix). On the same plane of the TV panel, the number of LEDs has increased several times, if we draw parallels with traditional LED systems. As a result, the canvas with Mini LED backlight has many times more local dimming zones of the picture (Local Dimming), which is necessary for the correct operation of the extended dynamic range image technology. For playing HDR content, Mini LED systems are much better than ordinary LCDs.

Dual LED. Proprietary backlight system used in Samsung TVs. The technology involves illuminating the image on the screen with two types of LEDs: one emits light in a cold spectrum, the other in a warm one. The Dual LED enhances colour reproduction and enhances detail contrast by adapting the colour tone of the picture according to the content on the screen.

Screen surface

The type of coating used on the TV screen.

Matte. Historically, the first type of coating for LCD screens, which is often found today. Screens with such a coating generally have average characteristics of brightness, saturation and colour reproduction quality, in terms of these indicators they are inferior to glossy counterparts. However, the matte coating has one important advantage: it has virtually no glare from ambient light. In some situations, this can be an important advantage — for example, if the TV is installed opposite the window. And for some users it is more pleasant to look at the screen without glare, albeit relatively dim.

Glossy. A coating designed to improve the brightness and colour quality of the visible image compared to matte screens. The creators have managed to achieve this goal: "glossy" screens really provide rich, vibrant colours and a brighter image. The key disadvantage of such screens is the appearance of glare from ambient light on them — this can ruin the whole viewing experience. Because of this, the classic glossy coating is practically not used today, anti-glare solutions have taken its place (see below).

Glossy (anti-glare). Modification of the glossy coating, created, as the name implies, in order to eliminate the main drawback of the classic gloss — glare from external lighting. This is not to say th...at such screens do not glare at all, but there are much less reflections on them than on ordinary glossy ones. As for the image quality, it is at least not much worse, and often even better (especially since such coatings are constantly being improved). Thanks to all this, most modern TVs of all price categories are equipped with anti-glare screens.

Brightness

The maximum brightness of the image provided by the TV screen.

The image on the screen should be bright enough so that you do not have to strain your eyes unnecessarily to view it. However, too high brightness is undesirable — it will also lead to fatigue. The optimal brightness level depends on the surrounding conditions: the more intense the ambient light, the brighter the TV screen should be. So, on a sunny day, the screen may have to be “turned up” to the maximum, and in the evening, in dimmed light, a relatively dim image will be more comfortable. In addition note that large screens require higher brightness, since they are designed for a greater distance from the viewer.

Thus, the higher the number in this paragraph, the greater the margin of brightness this model has, the better it will show itself in intense ambient light. The lowest indicator sufficient for more or less comfortable viewing in any conditions is 300 cd/m² for models with a diagonal of up to 32", 400 cd/m² for models in the range of 32 – 55" and 600 cd/m² for large screens of 60" and more. In this case, the brightness margin anyway will not be superfluous. But with lower indicators, you may have to darken the room somewhat for comfortable viewing.

Static contrast

The level of static contrast provided by the TV screen.

Contrast in a general sense is the ratio in brightness between the brightest whites and the darkest blacks that the screen can produce. Other things being equal, the higher the screen contrast, the better the quality of colour reproduction and detail, the lower the likelihood that it will be impossible to see details in too bright or too dark areas of the image. Static contrast, on the other hand, describes the maximum difference in brightness that can be achieved within one frame without changing the brightness of the image — this is its difference from dynamic contrast (see below).

The values of static contrast are much lower than those of dynamic, but this characteristic is the most "honest". It is on it that the properties of the image seen on the screen at a particular moment depend, it is describes the basic properties of the screen, without taking into account the software tricks provided by the manufacturer in the hardware of the TV.

Brightness / contrast enhancement

TV support for one or another brightness / contrast enhancement technology.

Usually, in this case, software image processing is implied, in such a way as to improve brightness and/or contrast (if necessary). Specific processing methods may be different — in particular, in some cases we are actually talking about turning standard content into HDR (see above), and some manufacturers do not specify technical details at all. The effectiveness of different technologies can also be different, and besides, it is highly dependent on the specific content: in some cases, the improvement will be obvious, in others it may be almost imperceptible. Also note that this feature is not always useful, so in most models it is turned off.

Colour enhancement

The TV's support of one or the other colour enhancement technology.

Such technologies usually involve image processing in software to provide brighter and/or more accurate colours. Specific processing methods may be different, some manufacturers do not specify technical details at all, limiting themselves to advertising statements. The effect of using such technologies can also vary: in some cases it is clearly visible, in others it is almost absent, depending on the features of the picture. It is also worth saying that this feature, usually, needs to be turned on manually in the TV menu (accordingly, it can be turned off if desired).

Speaker system

The brand of the speaker system installed in the TV.

This item is indicated if the TV is equipped with advanced sound system, which is noticeably superior in quality to conventional speakers. Such information further emphasizes the high level of the device. At the same time, the specifications usually do not contain the full name of the speaker system, but only the brand name — for example, Bang & Olufsen, Harman Kardon, JBL, etc.: even such information is quite enough in this case.

Audio decoders

A decoder can be broadly described as a standard in which digital audio (often multi-channel) is recorded. For normal playback of such sound, it is necessary that the corresponding decoder is supported by the device. Dolby Digital and DTS were the first in multi-channel decoding, gradually improving and introducing new features. The final stage for 2020 is Dolby Atmos and DTS X decoders.

Dolby Atmos. A decoder that uses not a rigid distribution of sound across channels, but the processing of audio objects, due to which it can be used with almost any number of channels on a reproducing system — the sound will be divided between channels so that each audio object is heard as close as possible to its proper place. When using Dolby Atmos, ceiling speakers (or speakers facing the ceiling) are highly desirable. However, in extreme cases, you can do without them.

— DTS X. An analogue of the Dolby Atmos described above, when the sound is distributed not through individual channels, but through audio objects. The digital signal contains information about where (according to the director's intention) the object audible to the user should be and how it should move, and the processor of the reproducing device processes this information and determines exactly how the sound should be distributed over the available channels in order to achieve the required localization. Thanks to this, DTS X is not tied to a specific number of audi...o channels — there can be as many as you like, the system will automatically divide the sound into them, achieving the desired sound. Also note that this decoder allows you to separately adjust the volume of dialogues.

Picture-in-picture

The ability to display on the TV screen "pictures" from several sources at once. Usually, in the picture-in-picture mode, a small window is displayed in the background of the main image (or several such windows), which is displayed in full screen, in it you can see an additional image. One of the most popular ways to use this “multitasking” is to skip commercial breaks in TV broadcasts: for this time, you can switch the main image to a more interesting channel, and leave the ad in the auxiliary window to not miss the end of the commercial and continue watching. It is worth considering, however, that the images for each window must come from different sources — in other words, it will not work to turn on two channels at the same time from one tuner.
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