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Comparison Epiphone Les Paul Standard 60s vs Epiphone Les Paul Custom

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Epiphone Les Paul Standard 60s
Epiphone Les Paul Custom
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Typeelectric guitarelectric guitar
Number of strings66
Pickupspassivepassive
Pickup diagramH-HH-H
Coil cutoff
Tone block
Typepassivepassive
Volume controls22
Tone controls22
Pickup switch3 position3 position
Body
Typemonolithmonolith
Size4/44/4
ShapeLes PaulLes Paul
Cutawaysinglesingle
Pickguard
Materialmahoganymahogany
BridgeTune-o-Matic (fixed)Tune-o-Matic (fixed)
Neck
Mount typepastedbolted
Number of frets2222
Nut width43 mm43 mm
Fretboard radius12 "12 "
Anchorsinglesingle
Scale24.75 "24.75 "
Pegsclosedclosed
Neck materialmahoganymahogany
Fretboardrosewoodebony
Color
Added to E-Catalogjanuary 2022june 2020

Mount type

A method of attaching the neck to the body used in an electric guitar.

Boltov. The most inexpensive and practical (in terms of production and repair technology) method of attachment: the neck is bolted to the body. Thanks to this, the assembly of the guitar is extremely simple, and the neck can be easily removed from the finished instrument for repair or even replacement with a new one. Note that although the bolt method is considered “low-cost” (and is found mainly in instruments of the corresponding level), it cannot be said that it is definitely worse than other options: guitars of this design have relatively weak sustain, but they give a bright, sharp tone with good attack. They can be used in almost any genre, but they are still considered the most suitable for heavy music.

Pasted. A neck mounted in a recess in the body and secured to the recess with epoxy or other adhesive. This design does not allow for such a powerful attack as on bolt necks, but it provides excellent sustain and a pleasant coloration of the sound. And in general, the adhesive connection is considered more advanced, because. better reveals the acoustic properties of wood. On the other hand, such tools are more complicated and more expensive, both in production and in repair, than “bolted” ones.

Through. The name of this method is due to the fact that the neck passes...through the body through and through, to the “lower” (from the side of the bridge) butt. Many instruments of this type, from the back, look as if two additional pieces were attached to the solid piece of wood from which the neck and middle part of the body were carved to give the body the desired shape and width (although the manufacturing technique is, of course, somewhat more complicated). It is believed that the neck-through mount maximizes the capabilities of the wood and allows you to achieve the highest quality sound, with a flat frequency response and excellent sustain. However, such designs are very expensive, and besides, they require extremely careful handling — especially since the repair of a through neck is at best difficult and expensive, and often impossible at all. Note that this option is used mainly in basses, electric guitars with a through mounting method are produced much less frequently.

Fretboard

The material from which the fretboard of an electric guitar is made.

The fretboard is placed under the strings, where the strings are pressed when played. The need to use overlays is due to the fact that the types of wood from which the fingerboard itself is made are often not hard enough, and dents could occur on their surface from constant contact with the strings. Accordingly, the overlays are made of a harder material that retains the shape of the surface even after repeated pressing of the strings. As such a material, both special types of wood ( ebony, rosewood) and high-quality phenolic polymers can be used.

In general, the quality of the fingerboard is usually quite consistent with the price category of the instrument, but it hardly makes sense to dwell on the detailed characteristics of each material (they are not so critical for the normal use of an electric guitar). We only note that the material of the overlay directly affects the appearance of the instrument.