Comparison GT R Twin vs GT R Techno

A method of fixing the recorder on a device that plays the role of a mount - a bracket for the windshield, a helmet platform, a clamp for the steering wheel or another similar structure.

— Latch. One of the most popular options nowadays. The latch, along with the magnet (see below), refers to quick-release fasteners, allowing you to easily and quickly remove the device and return it to its place. This feature can be useful, for example, if the car is left overnight in an unguarded place, where an unremoved recorder can become a bait for thieves; In addition, the entire device sometimes has to be removed to view and copy footage. Specifically, latches are considered more reliable than magnets; they can be used even with the most massive devices, and are also cheaper to produce.

- Magnet. Another type of quick-release mount: a powerful permanent magnet that is strong enough to hold the recorder in place. This type of fastener is easier to use than a latch: to install it, just “stick” the device to the mount, and to remove it, just pull it hard. Another advantage is that the latch can be broken by unsuccessfully applying force, whereas in magnets there is practically nothing to break. On the other hand, this type of mount is less reliable: in the event of a shock or a powerful jerk, the force of attraction may not be enough. Therefore, although magnets ar...e widespread, they are still inferior in popularity to latches.

— Magnet/latch. An option that involves the presence of both types of mount in the kit - both a magnet and a latch. This allows you to choose an option at your discretion depending on the situation. For example, for quiet movement around the city and frequent stops during which you have to remove the recorder, a magnet is better suited, and a more reliable latch will be useful on a long journey, especially if the roads are of poor quality. At the same time, such versatility is not required so often, which is why this option has not become widespread.

- Screw. Fixation with a screw that is screwed into a socket on the recorder body. Connecting and disconnecting such a fastener takes noticeably longer than in the case of a latch or magnet, however, the reliability of fasteners of this type is very high - even a strong tug is more likely to tear off the suction cup or sticker that holds the entire structure than damage the screw mount.

— Fixed / non-removable. An option found exclusively in windshield recorders installed using a sticker (see “Attaching to glass”). The platform with the sticker in such models is rigidly fixed to the body; and in some models the role of such a platform is played by the upper side of the body, specially made flat. The advantages of fixed mounts are simplicity, compactness and high reliability. On the other hand, this installation method requires the recorder to be permanently on the glass and does not allow you to quickly remove it and put it back: removing the sticker is quite difficult, and it cannot be reused.

This feature means that the power to the DVR (usually from the cigarette lighter) is supplied directly through the mount on which it is installed, and not through a separate cable. The mount itself is usually made quick-release.

Actually, the power cable in such models is also available — however, it is connected to the mount, and not to the registrar itself. Thanks to this, such a wire can be easily fixed in a strictly defined position; however, even without special fixation, he does not particularly move from his place. This feature provides a number of advantages over the more traditional connection format. Firstly, the wire does not hang around the cabin and does not create inconvenience. Secondly, it does not need to be searched for and reconnected every time when installing the recorder — just install the device on the mount. The latter is especially convenient if the recorder needs to be removed and put back often — for example, if the car has to be regularly left in an unguarded parking lot, where there is a risk of theft from the passenger compartment.

The cable is usually connected to the mount using a connector with the ability to quickly connect and disconnect — in case the wire needs to be removed from the passenger compartment without removing the mount. At the same time, many models use a standard connector like miniUSB or microUSB, which allows you to use a third-party power cable if necessary (for exam...ple, if the standard cable is lost or damaged). However, for a full guarantee, such details do not hurt to clarify separately.

The type of connector used in the recorder to power it. First of all, you should pay attention to this item if you plan to change the registrar with ready-made wiring for one or another type of connector ( miniUSB, microUSB, USB-C, DC 12V). Thus, the replacement of the registrar rests simply on installing a new one without re-changing the cable.

The sensor is a key element of any digital camera; it is from it and from signal processing technologies that the quality of the resulting image primarily depends. In this case, the type refers rather to the brand or brand of the matrix; it is usually indicated if the recorder is equipped with a high-quality sensor that is noticeably superior to most solutions on the market.

One of the most popular such options is Sony. The specific characteristics of the matrices ( IMX179, IMX222, IMX291, IMX307, IMX317, IMX322, IMX323, IMX326, IMX335, IMX415) may vary, but anyway, such a sensor is a sign of a high-end DVR.

In addition, there are models equipped with matrices from other manufacturers — Aptina, OmniVision, Samsung(GalaxyCore), Sandvik. Such solutions are generally considered to be simpler and more democratic than Sony — both in terms of price and functionality. Nevertheless, Samsung has a lot of developments in the field of electronics, and even such r...elatively “simple” sensors are usually more advanced and of higher quality than “know-names”.

Another manufacturer that produces fairly high-quality matrices is Panasonic. Such sensors are not as widespread as those described above, but they are still found in video recorders, including pretty advanced.

The maximum resolution and frame rate of video taken by the recorder in the Full HD (1080p) standard.

Many people associate the term Full HD with a resolution of 1920x1080 — and indeed, this resolution is very popular, including among DVRs. However, this standard also covers other options — in particular, 1440x1080 (4:3 aspect ratio) and 1920x540 (halved vertical size). In general, support for this resolution is a good indicator for a modern registrar, indicating that the device belongs to at least an average level.

As for the frame rate, the higher it is, the smoother and less blurry the video will be, the better the details on moving objects will be visible, and also the more space the footage will take up. It is worth noting here that in low-cost Full HD recorders, shooting can be carried out at very low speeds — 15 fps or even 10 fps. Such a shooting speed allows you to watch video more or less normally, but for a normal display of moving objects, a higher frame rate is still desirable — at least 25 frames / sec.

The maximum resolution and frame rate of video recorded by the recorder in the Quad HD standard.

In terms of detail, the Quad HD standard sits between Super HD and Ultra HD. It does not have a specific standard resolution, but most often in video recorders there is shooting with a frame size of 2560x1440. However, even such models are relatively few; and more specific values like 2688x1440 are used even less often. There are also quite unusual options — for example, a square frame 1440x1440.

As for the frame rate, the higher it is, the smoother and less blurry the video will be, the better the details on moving objects will be visible, and also the more space the footage will take up. However, in the case of Quad HD, a frequency of 24 fps or 30 fps is usually used, and the difference between these speeds is generally unimportant.

The maximum resolution and frame rate of video recorded by the recorder in the Ultra HD 4K standard.

The UHD 4K standard mainly includes video formats with a frame size of about 4K pixels horizontally — in particular, 3840x2160. However, in DVRs, this category includes some other resolutions with a frame size of 2160 vertical pixels — in particular, 2888x2160 (4:3 aspect ratio). For DVRs, this is a very advanced standard that provides the highest detail, but requires large matrices and powerful computing. As a result, its support is typical only for some top-level models.

As for the frame rate, the higher it is, the smoother and less blurry the video will be, the better the details on moving objects will be visible, and also the more space the footage will take up. However, when shooting in UHD, this figure rarely exceeds 24 fps due to the mentioned demands on the hardware “hardware”.

The viewing angle provided by the main camera of the DVR. As a rule, it is indicated along the diagonal of the frame, less often - horizontally, because of this, models with the same numbers in the characteristics may differ somewhat in the actual field of view. So if you have doubts about this, when choosing, it does not hurt to find and watch video samples from different models.

Other things being equal, a wider viewing angle allows you to cover more space, but individual details in the frame are smaller. In addition, wide-angle lenses give geometric distortions of the image (however, DEWARP can be provided to eliminate them, see "Functions"). As for specific figures, viewing angles up to 120° inclusive are considered relatively small for modern registrars, values of 121 - 140 ° can be called average, 141 - 160 ° are above average, and the most wide-angle models are able to cover a space of more than 160 °.

Among the photo and video functions used in the dashcam, we can distinguish G-sensor, rotating lens, live, HDR< /a>, WDR, polarizing filter, DEWARP and Time Lapse. More about them:

— G-sensor (video saving). A sensor that monitors shocks and vibrations acting on the DVR. The main function of this sensor is to ensure the safety of video materials in the event of an accident: in the event of a strong impact, characteristic of a collision or fall, the recorder with a G-sensor automatically saves the previously recorded video to a non-volatile memory protected from overwriting. Thus, materials about an emergency are not only guaranteed to be saved, but with a high probability remain intact even if the recorder itself is damaged. In addition, the G-sensor is used in parking mode — see "Functions" for details.

— Swivel lens. The ability to rotate the lens of the registrar horizontally or vertically, and in some cases — on both planes. This feature allows you to adjust the camera's field of view.

— Sound recording. Ability to record sound with a video recorder. First of all, we are talking about recording conversations in the cabin, which can become an add...itional argument in disputable situations — for example, they will allow you to determine whether the driver was talking on a mobile phone at the time of an accident, whether he noticed the situation on the road, how he assessed it, etc.

— Live broadcast. Allows you to remotely connect to the DVR and monitor what is happening from the camera in real time. It is very important if there is an additional camera in the cabin, when you can track the situation, for example, in taxi services, courier delivery, etc. This function will also become important and useful when a car is stolen, when you can not only see the hijacker from the video from the camera, but also track the route of his movement.

— HDR (high dynamic range). A function that increases the dynamic range of the recorder. Dynamic range is the maximum difference between the brightest and darkest area achievable within a single frame. Initially, this range for digital matrices is small, so an image with large brightness differences (for example, a road against a sunset sky) turns out to be either strongly overexposed in bright areas or very dim in dark areas. HDR addresses this shortcoming and also improves the overall colour quality. This is implemented as follows: the camera takes several frames with different settings and from them forms the finished image. At the same time, this technology is simpler and cheaper to implement than WDR, which is similar in purpose (see below). The main disadvantage of HDR is that this type of shooting increases the blurring of fast moving objects in the frame somewhat.

— WDR (Wide Dynamic Range). A function similar in purpose to HDR described above: it is used to improve the quality of a “picture” that has strong differences in brightness. The key difference between these technologies is that WDR works at the hardware level — due to high-end matrices. This allows you to achieve the required dynamic range within a single frame and do without gluing several frames — as a result, WDR, unlike HDR, does not give a blurring effect and does not worsen the detail of moving objects in the frame. The downside of this quality is the high price.

— Polarizing filter. The presence of a polarizing filter in the main camera of the DVR. Such a filter reduces the brightness of glare arising from strong light on glass, water and other similar surfaces. This greatly improves image quality, especially when shooting in sunny weather.

— DEWARP. A technology used to correct the "picture" obtained using a wide-angle lens. Such lenses are often used in DVRs; one of their drawbacks is their propensity for the fish-eye effect, the characteristic distortion when straight lines in the frame turn into rounded ones. The DEWARP function eliminates this shortcoming — it "bends back" curved lines, correcting the geometry of objects in the frame. Note that such a correction does not always work 100% accurately, however, the picture processed by DEWARP is anyway more reliable than without this technology.

— Time Lapse. A special mode of operation in which video recording is carried out at a slow frequency, which in practice is mainly used for shooting slow processes. Thus, for example, a long journey or a long sunset can fit into a 3-minute video.