Audio format
The audio format produced by a sound projector is actually the largest number of individual audio channels supported by the device. Note that in this case we are talking about the number of real channels, that is, channels for each of which at least one speaker is allocated; Models that support virtual surround sound can give the listener the impression of more channels than there actually are (see below for more details).
The sound format is indicated by two or three numbers separated by a dot. The first indicates the number of main channels, the second - the number of subwoofers, the third - the number of additional vertical radiators. For example, 2.1 format corresponds to stereo sound (2.0) supplemented
by a subwoofer. And the conditional 3.1.2 format includes left, right and center channels, a subwoofer, left and right
vertical speakers.
Sound projectors that support a more advanced sound format than
3.1 are designated in our catalog as multi-channel. The classic
multichannel audio format is 5.1, but there are other options. In any case, a large number of real channels contributes to the fidelity of the reproduced sound and simplifies setup compared to virtual surround sound systems, but is also more expensive.
The most common sound formats are:
2.0,
2.1,
3.0,
3.1,
4.1,
5.1,
5.1.2,
7.1.
Mount type
Regular way to install a sound projector.
—
Shelf. The installation itself on the shelf is extremely simple and requires a minimum of effort. However, in the absence of a shelf in a suitable place, you will either have to hang it there (for which, most likely, you will need to drill the walls), or install the projector "where possible" and try to adjust the sound as needed (and the success of such a setup is not guaranteed).
—
Wall mounted. Projectors equipped with wall mounts, usually in the form of brackets or notches in the chassis for nails, screws, or other wall-mounted mounts. This option is good because you can choose the installation location of the projector at your discretion, not limited to the presence of shelves — the main thing is that there is a free wall.
— Shelf / wall. Projectors that can be either shelf-mounted or wall-mounted. Both of these options are described above. Here we note that the installation method determines not only the design of the case, but also some features of the sound produced by the projector. In fact, this means that a “pure wall” projector, when installed on a shelf, will not be able to produce sound of proper quality, even if there are no problems with the installation itself. In other words, if you need a device suitable both for a shelf and for hanging on a wall, you should choose from models for which such a possibility is direc
...tly stated.
— TV Stand. In fact, such models are a variation of the shelf projectors described above, which have a flat body, so that a TV can be installed on top of such a device. This will prevent the sound projector from obscuring the controls and remote control sensor located below the screen (whereas with conventional shelf models, such problems often occur when placed on the same shelf with a TV). The disadvantage of "stands" can be called a rather large size in depth.Virtual surround sound
The projector supports
the virtual surround function.
The purpose of this feature is that due to special sound settings and the reflection of sound beams from the walls of the room, the listener hears more channels than are actually available in the projector (see "Audio Format"). For example, a 3.1 system with virtual surround sound can produce sound similar to 5.1 surround sound. This allows you to achieve the effect of "immersion" in sound without increasing the number of channels and the cost of the projector. On the other hand, the reliability of such sound is usually noticeably worse than that of real surround sound, and the overall quality is highly dependent on the characteristics of a particular room.
Note that the virtual surround function is specified for 2.0, 2.1, 3.0, 3.1 format systems. In more advanced multi-channel systems, there are a priori additional channels for reproducing surround sound.
Rated power
The total power rating of the sound projector speakers (including subwoofer, if present).
This parameter is often used to estimate the overall sound volume of the device, but this is not entirely true. The fact is that the actual sound volume is determined mainly by the power of the main speakers of the sound projector, and the total power is the sum of this power and the power of the subwoofer. Therefore, models with the same power rating can vary markedly in actual volume: for example, a 150-watt soundbar with a 50-watt subwoofer will be louder than a 100-watt projector with a subwoofer of the same power, although in both cases the rated power will be equal to 200 watts.
Summing up, we can say that it is possible to evaluate the volume by rated power only if the sound projector is not equipped with a subwoofer — in such models, the rated power is equal to the power of the main speakers. In other cases, it is worth focus on the power of the soundbar and the power of the subwoofer directly stated in the characteristics (see below for both).
Frequency range
The audio frequency range supported by the projector's speakers.
When evaluating this parameter, it is worth remembering that the audibility range of the human ear is about 16 – 22,000 Hz (and narrows with age). If the projector's frequency range is narrower, this can result in "cutting" low or high frequencies (however, with a slight narrowing, this effect is almost imperceptible). There are models in which the frequency limit is much wider — however, this is a kind of "side effect" of high-quality acoustics and has no meaning other than advertising.
Also note that a wide frequency range in itself does not guarantee high-quality sound — a lot depends on other parameters of the projector.
Acoustic design
Acoustic design of the subwoofer used by the sound projector.
— Closed type. The simplest design option is a speaker installed in a closed case. Such subwoofers have a relatively low volume, but are distinguished by good sound fidelity and a minimum of distortion.
— Bass-reflex type. Subwoofers equipped with a phase inverter - a special tube connecting the inner volume of the case with the outer space. Such equipment improves the volume and saturation of the sound, but increases the likelihood of interference (primarily the rumble of air in the pipe).
— With a passive radiator. The passive radiator is actually a speaker without a coil and a magnet, installed in the subwoofer cabinet along with the main speaker. The purpose of such a radiator is similar to the phase inverter described above, except that it is less susceptible to interference.
Outputs
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To the subwoofer. Dedicated output for connecting an external subwoofer. This is usually a line output that only feeds bass — this eliminates the need for external frequency filters. Such a connector is designed to connect an active subwoofer — a passive one will need its own amplifier. Note that this output can be provided in models equipped with their own subwoofer (see above) — in case the capabilities of this subwoofer are not enough.
— RCA. Despite the fact that RCA connectors are used in various interfaces, the term "RCA output" is usually used only for line output with such connectors. This output is used to send an analogue audio signal to an external device; it usually uses the stereo format and consists of two RCA jacks (one for each channel). In sound projectors, the line output can be useful, for example, for connecting additional acoustics.
— Composite. In this case, we do not mean a full-format composite interface of three connectors that allows you to transmit audio and video signals, but only one connector for working with video. This output is used to connect a sound projector to a TV and work as a media centre. The composite video interface does not allow working with HD and is not of high quality; on the other hand, it is widespread and can even be used to work with frankly outdated video equipment (for example, kinescope TVs). Typically this input uses a yellow RCA plug.
— Component. An outpu
...t used to send an analogue video signal to an external display. It uses three cables (usually with RCA plugs), each of which carries a different video signal component (hence the name). Due to this, the component interface has good bandwidth and picture quality, it allows you to work with HD and is considered the most advanced modern analogue video standard.
— IR control output. An output that allows the sound projector to be used as an external IR receiver for other devices (such as an amplifier or audio receiver). Through this output, the sound projector can transmit received commands from the control panel to the connected equipment. This allows you to install an external device anywhere, even outside the range of the remote control. In addition, this feature is especially useful for some shelf models (see "Installation type"), which, when installed, may cover the IR receiver of the TV. However note that equipment from different manufacturers may be incompatible in terms of control connectors.Number of speakers
The total number of speakers installed in the sound projector housing (external subwoofer is not taken into account in this calculation).
Given the same audio format (see above), more speakers typically provide greater fidelity and more precise localization of individual sound sources. This is especially true for models with virtual surround sound.
Power consumption
The total power consumption of the entire system, both the sound projector itself and the external subwoofer (if present). Usually this indicator is indicated by the average power consumption at maximum volume. Note that on individual signal jumps, the actual power consumption may exceed the claimed one; in some cases (for example, when connected through a voltage stabilizer), this must be taken into account.