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Comparison Canon 16mm f/2.8 RF STM vs Canon 50mm f/1.8 RF STM

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Canon 16mm f/2.8 RF STM
Canon 50mm f/1.8 RF STM
Canon 16mm f/2.8 RF STMCanon 50mm f/1.8 RF STM
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Main
Possibility of macro photography. Optical image stabilization. Silent autofocus. Customizable control ring. Compact dimensions and light weight.
Lens typefixfix
DxOMark rating30
System
Canon
Canon
Mount
Canon RF
Canon RF
Specs
Focal length16 mm50 mm
Aperture valuef/2.8f/1.8
Viewing angles107°
Min. diaphragm2222
Minimum focus distance0.13 m0.3 m
Maximum zoom0.260.25
Design
Sensor sizefull framefull frame
Autofocus drivestepper motor
stepper motor /stepper/
Image stabilization
Design (elements/groups)9 elements in 7 groups6 elements in 5 groups
Number of diaphragm blades77
Dustproof & waterproof
Filter diameter43 mm43 mm
Dimensions (diameter/length)40х69 mm69х41 mm
Weight165 g160 g
Added to E-Catalogseptember 2021november 2020

DxOMark rating

The result shown by the lens in the DxOMark rating.

DxOMark is one of the most popular and authoritative resources for expert testing of photography devices. According to the test results, the lens receives a certain number of points; The more points, the higher the final score.

Aperture value

Lens aperture is a characteristic that determines how much the lens attenuates the light flux passing through it. It depends on two main characteristics — the diameter of the active aperture of the lens and the focal length — and in the classical form is written as the ratio of the first to the second, while the diameter of the active aperture is taken as a unit: for example, 1 / 2.8. Often, when recording the characteristics of a lens, the unit is generally omitted, such a record looks, for example, like this: f / 1.8 or f/2.0. At the same time, the larger the number in the denominator, the smaller the aperture value: f / 4.0 lenses will produce a darker image than models with f / 1.4 aperture.

Zoom lenses usually have different aperture values for different focal lengths. In this case, the characteristics indicate two aperture values, for the minimum and maximum focal lengths, respectively, for example: f / 4.5-5.6

The larger the aperture of the lens, the shorter shutter speeds it allows you to use when shooting. This is especially important when shooting fast-moving subjects, shooting in low light, etc. And if necessary, the light stream transmitted by the lens can be weakened using a diaphragm (see below).

Another point that directly depends on this indicator is the depth o...f field (the depth of space that is in focus when shooting). The higher the aperture, the smaller the depth of field, and vice versa. Therefore, shooting with artistic background blur (bokeh) requires high-aperture optics, and for a large depth of field, you have to cover the aperture.

Viewing angles

This parameter determines the size of the area of the scene being shot that falls into the frame. The wider the viewing angles, the larger the area the lens can capture in one shot. They are directly related to the focal length of the lens (see "Focal length"), and also depend on the size of the specific matrix with which the optics are used: for the same lens, the smaller the matrix, the smaller the viewing angles, and vice versa. On our website, in the characteristics of optics, viewing angles are usually indicated when used with the matrix for which the lens was originally designed (for more details, see "Matrix Size").

Minimum focus distance

Minimum focus distance (m) - the smallest distance from which you can focus on an object and take a photo. Usually it ranges from 20 cm for wide-angle lenses to several metres for telephoto. In the macro mode of the camera or with the help of macro lenses, this distance can be less than 1 centimeter.

Maximum zoom

The degree of magnification of the object being shot when using a lens for macro shooting (that is, shooting small objects at the maximum possible approximation, when the distance to the subject is measured in millimetres). The degree of magnification in this case means the ratio of the size of the image of the object obtained on the matrix of the camera to the actual size of the object being shot. For example, with an object size of 15 mm and a magnification factor of 0.3, the image of this object on the matrix will have a size of 15x0.3=4.5 mm. With the same matrix size, the larger the magnification factor, the larger the image size of the object on the matrix, the more pixels fall on this object, respectively, the clearer the resulting image, the more details it can convey and the better the lens is suitable for macro photography. It is believed that in order to obtain macro shots of relatively acceptable quality, the magnification factor should be at least 0.25 – 0.3.

Image stabilization

The presence in the lens of its own image stabilization system. Such a system includes gyroscopes and movable lenses that compensate for small tremors of the lens and prevent the appearance of “shake”. Stabilization is especially relevant when shooting handheld, especially at slow shutter speeds and/or at long distances with high magnification: it is in such conditions that “shake” affects the quality of the image the most. At the same time, it should be taken into account that the presence of a stabilizer significantly affects the weight, dimensions and, above all, the price of optics; at the same time, some modern cameras have their own stabilization systems (due to matrix shift). Therefore, it makes sense to choose a lens with this function in the case when maximum protection against “shake” is of fundamental importance.

Design (elements/groups)

The number of elements (in fact, the number of lenses) included in the design of the lens, as well as the number of groups in which these elements are combined. Usually, the more elements provided in the design, the better the lens handles with distortions (aberrations) when light passes through it. On the other hand, numerous lenses increases the dimensions and weight of the optics, reduces light transmission (for more details, see "Aperture") and also puts forward increased requirements for the quality of processing, which affects the cost of the lens.

Dustproof & waterproof

Lenses with protection against ingress of dust and moisture. "Protected" optics are useful primarily for those who have to shoot a lot outdoors: they are much more resistant to bad weather than ordinary ones, many of these lenses work quietly in the rain, sea spray, etc. However, the specific degree of protection for different models can significantly differ, this point should be specified separately in the official documentation of the manufacturer. Also note that if you intend to constantly shoot in difficult external conditions, not only the lens, but also the camera itself must have dust and water protection.
Canon 16mm f/2.8 RF STM often compared
Canon 50mm f/1.8 RF STM often compared