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Comparison Sky Sound SUBT-10 vs Jamo S 810 SUB

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Sky Sound SUBT-10
Jamo S 810 SUB
Sky Sound SUBT-10Jamo S 810 SUB
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Mount typefloorfloor
Typeactiveactive
Acoustic designenclosedbass-reflex type
Phase inverter locationbottom
Featureshomehome
Specs
Power80 W75 W
Sensitivity87 dB
Max. sound pressure level110 dB
Impedance8 Ohm
Frequency range40 – 150 Hz36 – 180 Hz
Speaker size254 mm254 mm
Functions
Wireless connection
 /Bluetooth 4.0/
Phase adjustment
Level adjustment
Adjustable crossover
Crossover frequency40 – 150 Hz40 – 180 Hz
Passive speaker connection
Connectors
Inputs
 
RCA (line)
high level (terminals)
RCA (LFE)
 
 
Outputs
high level (terminals)
 
General information
MaterialMDFMDF
Dimensions (HxWxD)39.4x30x32.8 cm50.7х40.4х22.6 cm
Weight10.5 kg
Color
Added to E-Catalogmay 2023february 2018

Acoustic design

Closed type. The simplest type of construction: a closed (sometimes hermetically sealed) case with a speaker placed on the front panel. It is believed that such subwoofers have low sensitivity, which, however, is offset by high sound transmission accuracy and low distortion.

Phase inverter type. In the cases of such subwoofers, a tube is installed that has an outlet to the surrounding space. The length of the tube is chosen so that a signal comes out of it, inverted in phase relative to the signal from the front of the cone (in other words, from the main speaker). This improves the sound of the subwoofer and enhances the sound pressure. The disadvantage of a phase inverter is the additional noise from the sound stream in the tube.

With a passive radiator. A design similar to a phase inverter (see above) in terms of purpose and principle of operation, however, instead of a tube, such subwoofers use the so-called passive emitter. In fact, it is an ordinary speaker, devoid of a coil and a magnet and playing the same role as the phase inverter tube. The use of a passive radiator allows you to get rid of the noise of the air flow, characteristic of phase inverters.

Phase inverter location

Behind. It is recommended to install subwoofers with a rear bass reflex so that the back of the case, where the bass reflex is located, is away from the wall. If you put such a subwoofer right next to the wall, then the sound quality will be noticeably reduced. Bass reflex subwoofers on the back of the cabinet are usually placed in the centre of the room. If it is not possible to put acoustics in the centre, then they try to place this type of subwoofers away from the wall that the bass reflex is looking at.

Front. Front-facing bass reflex subwoofers are good if the acoustics need to deeply reveal the image of low-frequency sound. Acoustics of this type are recommended for music in which there is a lot of bass. The front location of the phase inverter allows you to put the subwoofer almost close to the wall.

From below. Bass reflex subwoofers are designed to be hung at a height. In this case, there will be no interference in the path of low-frequency sound, that is, the bass will be revealed as fully as possible. If it is not possible to hang such a subwoofer, then it is permissible to put the acoustics on a high stand. But the stand should not overlap the phase inverter.

Sideways. Subwoofers with a side bass reflex can be placed close to the wall and in the corner, but if the corner wall does...not block the bass reflex. The lateral location of the phase inverter allows acoustics to focus on mid-frequency and high-frequency sound. The low frequency sound will become moderate. This is the optimal acoustic scheme for watching movies.

Power

Rated power of the subwoofer. Technically, this is the highest average (rms) sound power at which the device can work normally (without sound distortion and damage to components) for an unlimited time. Simply put, the more powerful the subwoofer, the louder it is. The choice for this parameter depends primarily on the size of the space / room that is planned to be covered; detailed recommendations for different situations can be found in special sources.

Also, the power is directly related to the characteristics of the amplifier used with the subwoofer. For active subwoofers (see "Type"), this item actually indicates the nominal power of the built-in amplifier; the speaker itself can be more powerful, but it doesn't matter anymore. For passive models, the power rating corresponds to the highest amplifier power that can be connected to the speaker without the risk of damaging it at high volume.

Sensitivity

The sensitivity value determines the volume of the subwoofer when an external signal of a certain power is connected to it. The higher the sensitivity, the louder the sound will be, with equal signal power and impedance.

Max. sound pressure level

The highest sound pressure level that a subwoofer can create, in other words, the volume that it produces at its maximum power level. This parameter is measured in the same way as any noise level - in decibels; since the decibel is a non-linear quantity, it is easiest to evaluate loudness using comparative tables. So, the most modest modern subwoofers are capable of delivering up to 95 – 100 dB, this is comparable to the volume of a subway car or a chainsaw. In the most powerful ones, it can exceed 130 dB - this is louder than an airplane on takeoff, a long stay near a subwoofer operating at full power can lead to hearing damage.

Note that sound pressure and sensitivity (see above) are fundamentally different characteristics, although they are measured by the same units.

Impedance

Subwoofer AC impedance. This parameter matters primarily when connected to an external amplifier: if the impedance is lower than that of the amplifier, sound distortion is possible, if the impedance is higher, the subwoofer may sound quieter than we would like.

Frequency range

The range of audio frequencies reproduced by the subwoofer. As a general rule, the wider the frequency range, the richer the sound and the more detail the speaker can convey. However, it is worth remembering that subwoofers as a class are designed for low and ultra-low frequencies in the range from 20 to 150 (sometimes 200) Hz. Therefore, in fact, a significant difference in sound is noticeable only with a large difference in the reproducible ranges (for example, 20-200 Hz and 50-150 Hz).

Also, do not forget that an extensive frequency range is not yet a guarantee of high-quality sound; and in some cases (for example, if the main speakers of the speaker also cope well with low frequencies), it may be completely redundant.

Wireless connection

The presence of a wireless connection in a subwoofer is most often Bluetooth: this standard is practically generally accepted in modern electronics, it is supported by the vast majority of smartphones, tablets and laptops. Note that we can talk about connecting an audio signal, as well as connecting to a device like a smartphone or tablet to manage settings. However, the latter option is not common — mainly in concert models, based on the ability to reconfigure the subwoofer even in a situation where there is no direct access to it.

If we talk about wireless sound transmission, then this option is convenient primarily from the point of view of choosing the optimal installation location: moving the subwoofer around the room, you do not need to mess with wires, and the Bluetooth range reaches 10 m. However, the quality of sound transmission with a wireless connection may be lower than with wired, but for bass this point is not as noticeable as for other frequency bands.

Crossover frequency

Cutoff frequency of the crossover installed in the subwoofer (or supplied with it — for passive models, see "Type").

The crossover splits the audio signal into separate frequencies so that only the bass goes to the subwoofer and only the main range goes to the speakers. Such a device is mainly equipped with home models (see above). And the crossover frequency is the upper threshold of the frequencies fed to the subwoofer. This information is important for matching with the rest of the speakers: ideally, the lower threshold of the main acoustics should correspond to the upper threshold of the subwoofer, otherwise the frequencies will either overlap or dip in them (neither of which contributes to sound quality). For the convenience of matching, the crossover can be made adjustable (see above).
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