Comparison LG CM-2760 vs Philips BTM-2310
Add to comparison | ![]() | ![]() |
|---|---|---|
| LG CM-2760 | Philips BTM-2310 | |
from $187.00 | from $105.00 up to $119.96 | |
| TOP sellers | ||
| Features | music center | music center |
| Number of channels | 2.0 | 2.0 |
Playback | ||
| Media | USB port CD | USB port CD |
Radio | ||
| Tuner bands | FM | FM |
| Radio Data System (RDS) | ||
Tech specs | ||
| System power | 160 W | 15 W |
| Power per channel | 80 W | |
| Number of bands | 3 | 1 |
| Sensitivity | 83 dB | |
| Frequency range | 60 – 16000 Hz | |
| Phase inverter | ||
| Equalizer | ||
| Bass Boost | ||
Interfaces and features | ||
| Interfaces | Bluetooth | Bluetooth |
| More features | time alarm | time alarm |
Connectors | ||
| Inputs | mini-Jack (3.5 mm) | mini-Jack (3.5 mm) |
General | ||
| LCD display | ||
| Remote control | ||
| Speaker dimensions (HxWxD) | 295x127x240 mm | 238x150x125 mm |
| Central unit dimensions (HxWxD) | 230x170x276 mm | 121x180x247 mm |
| Weight | 11 kg | 3.56 kg |
| Color | ||
| Added to E-Catalog | may 2016 | january 2015 |
Compare LG CM-2760 and Philips BTM-2310
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Glossary
System power
The total sound power provided by the audio system at maximum volume, in other words, the total power of all the speakers provided by the device (including the subwoofer).
The higher the power, the louder the system will sound and the larger the area it can cover. On the other hand, high power significantly affects the price, dimensions, weight and power consumption of the device. In addition, when evaluating and comparing according to this indicator, it is worth considering some nuances. Firstly, some manufacturers go to the trick and give in the characteristics not the average, but the peak sound power; such numbers can be quite impressive, but they have very little to do with real loudness. So if it seems to you that the claimed power is too high, it's ok to clarify what exactly is meant in this case. Secondly, when comparing, it is worth considering the presence of a subwoofer — it plays an auxiliary role, but it can account for more than half of the total system power. Because of this, for equal total power, a device with a subwoofer may be quieter than a model without a subwoofer: for example, a 2.0 40W system will have 20W per main channel, while a 2.1 40W model may have 20W per subwoofer, and only 10 watts for the main speakers.
The higher the power, the louder the system will sound and the larger the area it can cover. On the other hand, high power significantly affects the price, dimensions, weight and power consumption of the device. In addition, when evaluating and comparing according to this indicator, it is worth considering some nuances. Firstly, some manufacturers go to the trick and give in the characteristics not the average, but the peak sound power; such numbers can be quite impressive, but they have very little to do with real loudness. So if it seems to you that the claimed power is too high, it's ok to clarify what exactly is meant in this case. Secondly, when comparing, it is worth considering the presence of a subwoofer — it plays an auxiliary role, but it can account for more than half of the total system power. Because of this, for equal total power, a device with a subwoofer may be quieter than a model without a subwoofer: for example, a 2.0 40W system will have 20W per main channel, while a 2.1 40W model may have 20W per subwoofer, and only 10 watts for the main speakers.
Power per channel
Nominal sound power (see "System power") on each of the main channels of the audio system. This indicator is most often indicated in models with a subwoofer (see "Number of channels"); knowing it, you can estimate the power distribution between the main speakers and the subwoofer.
Number of bands
The number of distinct frequency ranges (bands) into which sound is divided when played through the acoustics of an audio system. For each such band, a separate speaker is provided, and sometimes several.
The simplest option provides 1 lane; it is very popular in modern audio systems, because. requires a minimum number of speakers, and the sound quality can be quite good. More advanced options provide 2-3 bands (low and high frequencies, or bass, treble and medium), and in high-end models, the number of bands can be up to five. Note that, in addition to integers, models are also produced with a fractional number of stripes — for example, 2.5 or 3.5. This marking indicates the presence in the design of a speaker responsible for two bands at once: for example, model 2.5 has separate speakers for bass and treble plus a combined bass + midrange (similar in design to bass, but also loaded with mid frequencies).
Anyway, the abundance of bands, usually, indicates a high class of acoustics: the more separate frequency ranges, the narrower the specialization of each speaker, the more accurately it is able to reproduce its part of the signal, and the more complex the system is.
The simplest option provides 1 lane; it is very popular in modern audio systems, because. requires a minimum number of speakers, and the sound quality can be quite good. More advanced options provide 2-3 bands (low and high frequencies, or bass, treble and medium), and in high-end models, the number of bands can be up to five. Note that, in addition to integers, models are also produced with a fractional number of stripes — for example, 2.5 or 3.5. This marking indicates the presence in the design of a speaker responsible for two bands at once: for example, model 2.5 has separate speakers for bass and treble plus a combined bass + midrange (similar in design to bass, but also loaded with mid frequencies).
Anyway, the abundance of bands, usually, indicates a high class of acoustics: the more separate frequency ranges, the narrower the specialization of each speaker, the more accurately it is able to reproduce its part of the signal, and the more complex the system is.
Sensitivity
Sensitivity determines the intensity of the acoustics response to a signal of a certain level; Simply put, the higher this figure, the higher the volume of the speaker system will be at the same signal level. Note that in the case of audio systems, this parameter plays a secondary role: it is important for selecting acoustics for an amplifier, and here both of these components are in most cases optimally matched by the manufacturer to each other.
Frequency range
The total frequency range reproduced by the acoustics of an audio system. Measured from the lower threshold of the lowest frequency speaker to the upper threshold of the highest frequency: for example, in a 2.1 system with main speakers at 100 – 22000 Hz and a subwoofer at 20 – 150 Hz, the total value will be 20 – 22000 Hz.
In general, the wider the frequency range, the fuller the reproduced sound will be, the less low and high frequencies will be lost due to insufficient acoustic capabilities. On the other hand, do not forget that the actual sound quality also depends on a number of other parameters — primarily the frequency response. In addition, human audible frequencies range from 16 Hz to 22 kHz; deviations from these values are very small, and the upper limit also decreases with age. Therefore, from a practical point of view, it does not make sense to provide too large a frequency range; and impressive performances like 10 – 50000 Hz, found in top-class models, are usually more of a kind of "side effect" of high-quality speakers (and at the same time — a marketing ploy) than a really significant moment.
In general, the wider the frequency range, the fuller the reproduced sound will be, the less low and high frequencies will be lost due to insufficient acoustic capabilities. On the other hand, do not forget that the actual sound quality also depends on a number of other parameters — primarily the frequency response. In addition, human audible frequencies range from 16 Hz to 22 kHz; deviations from these values are very small, and the upper limit also decreases with age. Therefore, from a practical point of view, it does not make sense to provide too large a frequency range; and impressive performances like 10 – 50000 Hz, found in top-class models, are usually more of a kind of "side effect" of high-quality speakers (and at the same time — a marketing ploy) than a really significant moment.
Bass Boost
Bass boost function for powerful and rich bass. Often implemented as a single button, with which you can actually "turn the bass on and off." This is more convenient than adjusting the low frequencies using the equalizer; in addition, various special technologies can be used to enhance the bass.








