Cable length
The length of the cable supplied with the headphones with the appropriate connectivity.
The optimal cable length depends on the planned format of the "ears". So, for pocket gadgets,
1 metre or less is often enough, for a computer it is already desirable to have a wire for
1 – 2 m, and preferably
2 – 3 m. And models with a longer cable length —
3 – 5 m or even
more — are mainly designed for specific tasks, such as connecting to a TV or using in recording studios.
Recall that in some models the cable is removable (see below) and can be replaced if necessary with a longer or shorter one. Also note that there are extension cables that allow you to increase the length of the main wire; such a cable may even be included in the delivery, this point (and the length of the additional cable) is usually specified in the notes.
Cable type
The type of cable provided in the design or delivery of the headphones. Note that this parameter is relevant both for wired or combined models (see “Connection type”), and for some wireless models - in particular, earbuds and in-ear headphones
without a mount, where a wire connects one earphone to another.
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Round. The classic round wire is straight, without braiding or other additional accessories. It is inexpensive and in most cases quite practical, which is why it is found in most modern headphones. The disadvantage is that if the thickness is small, the round wire is prone to tangling; therefore, this option is considered not very convenient for compact headphones, such as in-ear or in-ear (see “Design”), which often have to be carried in a pocket or bag.
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Flat. The main advantage of a flat cable is that it does not get tangled as much as a round cable, and if something happens it is much easier to untangle. This is especially important for earbuds and in-ear headphones, which are often rolled up for storage or transport. However, larger overhead models can also be equipped with a flat wire.
— Round,
braided. A round wire with an outer braid, usually fabric. See above for details on round wire. And the presence of a braid gives such a cable a number of advantages over the classic one with “bare” insula
...tion. Thus, the wire turns out to be more durable, reliable and resistant to kinks and pressure, tangles less, has a solid appearance, and in some models the braiding also provides shielding from external interference. The downside of these advantages is the increased price.
— Spiral. A round cable, coiled into a spring. The main advantages of a spiral wire are that it practically does not tangle and can significantly stretch relative to its original length. The latter is very convenient if, as you use your ears, you have to change the distance to the signal source. The disadvantages of spiral cable are bulkiness and relatively high cost. Therefore, it is often used in mid-range and top-end headphones (including professional models).
- Round, braided. A cable in the form of two wires twisted into a spiral. This option should not be confused with a spiral wire - in this case we are not talking about a spring. This cable is notable primarily for its unusual appearance; For greater originality, the wiring can be made in different colors. It is also somewhat more tangle-resistant than the classic round one, although a lot depends on the thickness. At the same time, individual wires can be noticeably thinner than a solid round wire, which somewhat reduces reliability.Frequency range
The range of sound frequencies that headphones can reproduce.
The
wider this range, the more fully the headphones reproduce the spectrum of sound frequencies, the lower the likelihood that too low or too high frequencies will be inaccessible. However, there are some nuances to consider here. First of all, let us remind you that the perceptual range of the human ear is on average from 16 Hz to 22 kHz, and for the complete picture it is enough for headphones to cover this range. However, modern models can significantly exceed these boundaries: in many devices the lower threshold
does not exceed 15 Hz, or even
10 Hz, and the upper limit can reach
25 kHz,
30 kHz and even
more. Such wide ranges in themselves do not provide practical advantages, but they usually indicate a high class of headphones, and are sometimes given only for advertising purposes.
The second important point is that a wide frequency range in itself is not a guarantee of good sound: sound quality also depends on a number of parameters, primarily the amplitude-frequency response of the headphones.
Power source
The self-contained power source used by the headphones. In wireless headphones, such power is necessary by definition, in wired headphones it may be needed for certain functions — for example, active noise cancellation or a built-in amplifier.
— Accumulator. Own built-in battery, usually, non-removable. Such power supplies can be made very compact and retain a good capacity, which makes them perfect for miniature headphones (and for overhead headphones, these advantages will be useful). In addition, the battery is initially included in the package. However it cannot be quickly replaced, unlike batteries — you have to charge the "ears", which takes some time; but this disadvantage cannot be called critical, and the above advantages clearly outweigh it. Therefore, this option is the most popular nowadays.
— AAA. Replaceable standard size batteries, known as "pinky" or "mini finger" batteries. They have relatively compact dimensions, but by the standards of headphones they are still quite bulky, which is why they are used mainly in overhead "ears" (see "Design") — one or two of these batteries can be installed directly in the cup. However, there are also more miniature models, for example, in-ear ones — in them additional electronics and batteries are placed in a separate case. The main advantage of such a power supply over rechargeable batteries is the ability to quickly replace dead batteries with fresh ones and continue to use the headphones. At the same t...ime, batteries are usually not included in the kit, and they have to be purchased separately (and either regularly buy disposable batteries, or spend money on rather expensive batteries with a “charger”).
— AA. A popular variety of replaceable batteries, colloquially known as "finger-type" batteries. They differ from the AAA described above in a larger size, which is why they are rarely used in headphones; the rest are completely similar.
Operating time (music)
The declared operating time of headphones with autonomous power supply (see above) when listening to music on a single battery charge or a set of batteries.
As a rule, the characteristics indicate a certain average operating time in music listening mode, for standard conditions; in practice, it will depend on the intensity of use, volume level and other operating parameters, and in models with replaceable batteries - also on the quality of specific batteries. However, based on the stated time, you can fairly reliably assess the autonomy of the selected headphones and compare them with other models. As for specific values, relatively “short-lived” devices have a battery life
of up to 8 hours, a figure of
8 – 12 hours can be called quite good,
12 – 20 hours – very good, and in the most “long-lasting” headphones the operating time can
exceed 20 hours.
Ear cushion material
For full-size headphones, ear pads are often made of
genuine leather,
leatherette,
textile, velor, leatherette, memory foam, as well as their combined variations. In the caste of in-ear headphones, completely different materials are used - the most common are silicone pads, which gently adapt to the individual structure of the auricle, and as an alternative to them, foam ear pads with a porous structure (so-called “sponges”) are offered. Here are some features of commonly used ear pad materials:
- Textiles. Fabric ear pads are usually found in budget headphone models, but sometimes they are also used in the premium segment. The tactile textile ear pads are pleasant to the touch, and they also allow air to pass through well. In terms of acoustic properties, these are completely neutral materials. Note that such ear pads can be made from various types of fabrics (for example, microfiber).
- Leatherette. Artificial leather substitutes are used in headphones of all price categories. In fact, the properties of this material depend on the specific type of leatherette: ear pads made of conventional eco-leather can have excellent “breathing” qualities, while low-grade leatherette often provokes increased sweating of the ears (especially in the hot season).
- Genuine Leather. Genuine leather is a premium product used in corresponding flagship-level
...headphone models. Thick leather provides proper sound insulation and deep bass response. At the same time, your ears may sweat when using leather ear pads. To avoid increased sweating, the leather is often made perforated.
— Velor. The most delicate material to the touch with excellent sound-absorbing abilities. Velor ear pads provide good noise insulation, and headphones with them do not cause fatigue even after a long stay on the head. However, the material also has disadvantages: it gets dirty easily, attracts dust and pet hair, and wears out quickly.
- Alcantara. Ear pads made of artificial suede, which are as close as possible in properties and tactile sensations to velor products. However, Alcantara is easier to clean from dirt and lasts much longer. Alcantara ear pads are found in top-level headphones.
- Foam rubber. Foam ear pads are the prerogative of budget over-ear headphones. The fact is that this is a short-lived material that often requires replacement due to its low strength. Partially, special impregnations solve the problem, but foam rubber still retains its structure for a relatively short time.
- Fur. Quite a rare type of material for making ear pads. Headphones with characteristic fur ear pads perform a practical function - they warm the listener’s ears during the cold season.Weight
The total weight of the headphones; for true wireless models (see "Cable Type"), the weight of each individual earbud is listed.
This parameter is directly related to the design (see above) and some features of the functionality. Thus, the mentioned true wireless devices are very light, their weight
does not exceed 25 g. More traditional in-ears and in-ears can be noticeably heavier,
up to 50g for in-ears and up
to 100g for most in-ears. Overhead models, for the most part, are quite massive: among them there are many models weighing
200 – 250 g,
250 – 300 g and even
more than 300 g. It should be noted that a significant weight for false ears is often not a disadvantage, but an advantage: it allows them to stay on the head more securely, creates an impression of solidity and reliability, and most often does not create significant inconvenience.