Comparison Epson EB-W49 vs Epson EB-X49
Add to comparison | ![]() | ![]() |
|---|---|---|
| Epson EB-W49 | Epson EB-X49 | |
| Compare prices 6 | from $1,233.00 | |
| TOP sellers | ||
| Main function | universal | universal |
Lamp and image | ||
| Lamp type | UHE | UHE |
| Service life | 8000 h | 6000 h |
| Service life (energy-saving) | 17000 h | 12000 h |
| Lamp power | 210 W | 210 W |
| Brightness ANSI Lumens | 3800 lm | 3600 lm |
| Dynamic contrast | 16 000:1 | 16 000:1 |
| Colour rendering | 1.07 billion colours | |
| Horizontal frequency | 15 – 92 kHz | |
| Frame rate | 50 – 85 Hz | |
Projection system | ||
| Technology | 3LCD | 3LCD |
| Size | 0.59" | 0.55" |
| Real resolution | 1280x800 px | 1024x768 px |
| Max. video resolution | 1600x1200 px | |
| Image format support | 4:3, 16:9, 16:10 | 4:3, 16:9 |
Projecting | ||
| Rear projection | ||
| Image size | 33 – 320 " | 30 – 300 " |
| Throw ratio | 1.3:1 – 1.56:1 | 1.48:1 – 1.77:1 |
| Optical zoom | 1.2 x | |
| Zoom and focus | manual | manual |
| Auto keystone correction | ||
| Keystone correction (vert), ± | 30 ° | 30 ° |
| Keystone correction (horizontal), ± | 30 ° | 30 ° |
Features | ||
| Features | PJ-Link protocol | |
| Wi-Fi | Wi-Fi ready | |
Hardware | ||
| USB-A 2.0 | 1 pcs | 1 pcs |
| Number of speakers | 1 | 1 |
| Sound power | 5 W | 5 W |
| Video connectors | VGA composite AV-input | VGA composite AV-input |
| HDMI inputs | 2 | 1 |
| Audio connectors | 3.5 mm input (mini-Jack) 3.5 mm output (mini-Jack) RCA (audio) | 3.5 mm input (mini-Jack) 3.5 mm output (mini-Jack) |
| Service connectors | COM port (RS-232) LAN (RJ-45) | COM port (RS-232) USB (slave) LAN (RJ-45) |
General | ||
| Noise level (nominal) | 37 dB | 37 dB |
| Noise level (energy-saving / quiet) | 28 dB | 28 dB |
| Power source | mains | mains |
| Power consumption | 327 W | |
| Size (HxWxD) | 92x302x249 mm | 92x302x249 mm |
| Weight | 2.7 kg | 2.7 kg |
| Color | ||
| Added to E-Catalog | march 2021 | march 2021 |
Compare Epson EB-W49 and EB-X49
The Epson EB-W49 and EB-X49 projectors have similar features but differ in some key aspects. The EB-W49 offers higher brightness at 3800 ANSI lumens, making it more suitable for bright rooms, while the EB-X49 has 3600 ANSI lumens. The lamp life for the EB-W49 is 8000 hours (economical mode — 17000 hours), whereas for the EB-X49 it is 6000 hours (economical mode — 12000 hours). The resolution for the EB-W49 is 1280x800 pixels, providing better image quality for multimedia, whereas the EB-X49 has a resolution of 1024x768 pixels. Both projectors have similar features such as keystone correction and reverse projection, but the EB-X49 optionally supports Wi-Fi. Overall, the EB-W49 is better suited for multimedia tasks, while the EB-X49 may be a more economical option for office use.
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Glossary
Service life
Minimum projector lamp life as stated by the manufacturer. Specified by the total time of continuous operation. Note that if the projector was operated without violations, then upon reaching this time, the lamp will not necessarily fail — on the contrary, it can work for quite a long time. However, when evaluating durability, it is best to focus on the claimed service life.
Service life (energy-saving)
When working in economy mode, the brightness of the backlight is noticeably reduced, on average by 30-50%. With a decrease in brightness, heat dissipation also decreases, which saves the working life of the illuminator, thereby increasing the lamp life. Thus, the ECO mode allows you to extend the lamp life by an average of 30%. If the typical projector lamp life is 4000 hours, regular use of the ECO mode will extend the backlight life to approximately 5500 hours.
Brightness ANSI Lumens
This parameter largely determines the ability of the projector to work in a well-lit room. For a dark room, 1000 lumens is enough to make the projection picture bright, rich, clear and understandable. But when working in a lit room, the projector will need at least 3500-4000 lumens. Do not confuse ANSI lumens with Peak lumens. These are two different brightness standards. To convert one type of brightness to another, you need to multiply Peak lumens by 10-12. The result will be an approximate value of ANSI Lumens.
However, experts do not recommend chasing high ANSI lumen brightness values. There are many professional projectors with brightness up to 3500 lm. The lower the brightness, the lower the power consumption, and at the same time, the life of the illuminator increases. Of course, if the projector will be installed in a work office or classroom where good lighting is required, it is recommended to purchase a model with ANSI Lumens brightness of 4000 lumens and more.
Colour rendering
The number of individual colour shades that the projector is capable of displaying.
The minimum indicator for modern projection technology is actually 16 million colours (more precisely, 16.7 million is a standard number associated with the features of digital image processing). In the most advanced models, this value can exceed 1 billion. However, two nuances should be taken into account here: firstly, the human eye is able to recognize only about 10 million colour shades, and secondly, not a single modern image output device (projectors, monitors, etc.) cannot cover the entire spectrum of colours visible to the human eye. Therefore, impressive colour performance is more of a marketing ploy than a real indicator of image quality, and in fact it makes sense to pay attention to other characteristics — primarily brightness and contrast (see above), as well as specific data like a colour gamut chart.
The minimum indicator for modern projection technology is actually 16 million colours (more precisely, 16.7 million is a standard number associated with the features of digital image processing). In the most advanced models, this value can exceed 1 billion. However, two nuances should be taken into account here: firstly, the human eye is able to recognize only about 10 million colour shades, and secondly, not a single modern image output device (projectors, monitors, etc.) cannot cover the entire spectrum of colours visible to the human eye. Therefore, impressive colour performance is more of a marketing ploy than a real indicator of image quality, and in fact it makes sense to pay attention to other characteristics — primarily brightness and contrast (see above), as well as specific data like a colour gamut chart.
Horizontal frequency
Horizontal frequency supported by the projector.
This parameter is relevant when working with analogue video signal. In such a video, the image is formed line by line: each pixel in the line is highlighted in turn, then the next line is highlighted, and so on. The horizontal frequency describes how many times per second the backlight beam runs from edge to edge of the screen. For normal playback, the projector must support the same refresh rate as the input signal was recorded. However, most models support a fairly wide range of frequencies, and there are no problems with support. Also note that if you are not a professional, then when choosing a projector, it is quite possible to focus on the frame rate (see below) — this parameter is simpler and more intuitive, and support for a certain frame rate automatically means support for the corresponding line rate.
This parameter is relevant when working with analogue video signal. In such a video, the image is formed line by line: each pixel in the line is highlighted in turn, then the next line is highlighted, and so on. The horizontal frequency describes how many times per second the backlight beam runs from edge to edge of the screen. For normal playback, the projector must support the same refresh rate as the input signal was recorded. However, most models support a fairly wide range of frequencies, and there are no problems with support. Also note that if you are not a professional, then when choosing a projector, it is quite possible to focus on the frame rate (see below) — this parameter is simpler and more intuitive, and support for a certain frame rate automatically means support for the corresponding line rate.
Frame rate
Frame rate, simply put, is the frame rate supported by the projector.
For normal playback, it is highly desirable that the frame rate of the projector match the original frame rate of the video signal. However, most modern models do not support a specific frame rate, but a whole range of frequencies, and quite an extensive one at that.
Note that for viewing most video materials, the range from 24 to 60 fps is quite enough. The exception is 3D content, which may require double the frame rate, up to 120Hz (see " 3D Support " for details).
For normal playback, it is highly desirable that the frame rate of the projector match the original frame rate of the video signal. However, most modern models do not support a specific frame rate, but a whole range of frequencies, and quite an extensive one at that.
Note that for viewing most video materials, the range from 24 to 60 fps is quite enough. The exception is 3D content, which may require double the frame rate, up to 120Hz (see " 3D Support " for details).
Size
The size of the panel/chip affects the depth and final quality of the image. The larger the panel/chip, the more light it is able to process, which means the picture will be clearer and more structured. The average projector has a sensor of 0.5-0.7″, advanced projectors use sensors of 1.2-1.5″ and more.
Real resolution
The native resolution of the image produced by the projector matrix.
The minimum for modern projectors is actually the VGA standard, which assumes a resolution of 800x600 or close to it. The most limited of modern high-definition standards is HD (720); the classic size of such a frame is 1280x720, but projectors also have other options (up to 1920x720). A more advanced HD format is Full HD (1080), which also has several variations (the most popular is 1920x1080). And among high-end projectors there are models of Quad HD, Ultra HD (4K) and even Ultra HD (8K) standards.
In general, the higher the resolution, the clearer and more detailed image the projector can produce. On the other hand, this indicator directly affects the cost, and all the benefits of high resolution can only be appreciated if the reproduced content also corresponds to it. Note that modern projectors can work with higher resolutions than the “native” ones – for more details, see “Maximum video resolution”.
The minimum for modern projectors is actually the VGA standard, which assumes a resolution of 800x600 or close to it. The most limited of modern high-definition standards is HD (720); the classic size of such a frame is 1280x720, but projectors also have other options (up to 1920x720). A more advanced HD format is Full HD (1080), which also has several variations (the most popular is 1920x1080). And among high-end projectors there are models of Quad HD, Ultra HD (4K) and even Ultra HD (8K) standards.
In general, the higher the resolution, the clearer and more detailed image the projector can produce. On the other hand, this indicator directly affects the cost, and all the benefits of high resolution can only be appreciated if the reproduced content also corresponds to it. Note that modern projectors can work with higher resolutions than the “native” ones – for more details, see “Maximum video resolution”.
Max. video resolution
The actual maximum frame resolution that the projector is capable of processing and displaying.
Many models allow project images at a higher resolution than the actual resolution of the projector matrix (see above). For example, a 1920x1080 video can be displayed on a device with a frame size of 1024x768. However, the quality of such an image will be noticeably lower than on a projector, which initially has a resolution of 1920x1080.
The maximum resolution is closely related to both the overall picture quality and the size of the projection screen. The higher the resolution, the sharper the image details become. Of course, the screen size itself should be taken into account. The fact is that on a 40-50″ projection surface there will not be much difference between the Quad HD and 4K formats. A high-resolution picture will be able to show itself on a truly large screen.
Many models allow project images at a higher resolution than the actual resolution of the projector matrix (see above). For example, a 1920x1080 video can be displayed on a device with a frame size of 1024x768. However, the quality of such an image will be noticeably lower than on a projector, which initially has a resolution of 1920x1080.
The maximum resolution is closely related to both the overall picture quality and the size of the projection screen. The higher the resolution, the sharper the image details become. Of course, the screen size itself should be taken into account. The fact is that on a 40-50″ projection surface there will not be much difference between the Quad HD and 4K formats. A high-resolution picture will be able to show itself on a truly large screen.







