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Comparison Fujifilm X-H2S body vs Fujifilm X-T4 body

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Fujifilm X-H2S  body
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Main
Proprietary sensor X-Trans CMOS 4. Matrix stabilization. Shooting video in DCI 4K. Hybrid autofocus with face and eye detection. Separate exposure control wheels. Exposure compensation and ISO. OLED viewfinder. Dust and water protection.
Camera type"mirrorless" (MILC)"mirrorless" (MILC)
Sensor
Sensor
CMOS (CMOS) /processor X-Processor 5/
CMOS (CMOS) BSI /eXR Processor IV/
Sensor sizeAPS-C (23x15.5 mm)APS-C (23x15.5 mm)
Effective MP number2626
Maximum image size6240x4160 px6240x4160 px
Light sensitivity (ISO)160 - 5120080 - 51200
Sensor cleaning
RAW format recording
Lens
Mount (bayonet)Fujifilm XFujifilm X
Manual focus
Image stabilization
with matrix shift /5 axis/
with matrix shift
Photo shooting
HDR
2 control dials
 /+ optional/
 /+ optional/
White balance measuring
Exposure compensation± 5 EV, in 1/3 EV increments± 5 EV, in 1/3 EV increments
Auto bracketing
 /± 5 (3 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)/
 /± 5 (3 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 pix 120 fps1920x1080 pix 240 fps
Ultra HD (4K)4096x2160 pix 60 fps4096x2160 pix 60 fps
Video scene modes40
File recording formats
MPEG-4 (MOV) /H.264/
MPEG-4 /H.264/
Manual video focus
Connection ports
HDMI v 2.1
 
microphone Jack
HDMI v 2.0
headphone Jack
microphone Jack
Focus
Autofocus modes
one shot
tracking
in face
one shot
tracking
in face
Focus points425 шт425 шт
Touch focus
Viewfinder and shutter
Viewfinderelectronic
electronic /236K pixels/
Viewfinder crop1.2 x0.75 x
Frame coverage100 %100 %
Shutter speed
30 - 1/8000 sec /there is a transition mode to the electronic viewfinder (up to 1/32000)/
30 - 1/8000 sec /there is a transition mode to the electronic viewfinder (up to 1/32000)/
Continuous shooting40 fps20 fps
Shutter typeelectronic/mechanicalelectronic/mechanical
Screen
Screen size3 ''3 ''
Screen resolution1620 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Additional screen
Memory and communications
2 card slots
Memory cards types
SD, SDHC, SDXC /UHS II/
SD, SDHC, SDXC /UHS II/
Communications
Wi-Fi
Bluetooth
smartphone control
Wi-Fi
Bluetooth
smartphone control
Flash
Built-in flash
External flash connect
Power source
Power source
battery
battery
Battery modelNP-W126, NP-W126SNP-W235
Shots per charge580 шт500 шт
General
Charger modelBC-W126
Materialmagnesium alloymagnesium alloy
Retrodesign
Protectiondustproof, waterproofdustproof, waterproof
Dimensions (WxHxD)136х93х95 mm135х93х84 mm
Weight660 g607 g
Color
Added to E-Catalogjuly 2022march 2020

Sensor

— CCD (CCD). Abbreviation for Charge-Coupled Device. In such sensors, information is read from the photosensitive element according to the “line at a time” principle — an electronic signal is output to the image processor in the form of separate lines (there is also a “frame at a time” variant). In general, such matrices have good characteristics, but they are more expensive than CMOS. In addition, they are poorly suited for some specific conditions — for example, shooting with point light sources in the frame — which is why you have to use various additional technologies in the camera, which also affect the cost.

— CMOS (CMOS). The main advantages of CMOS matrices are ease of manufacture, low cost and power consumption, more compact dimensions than those of CCDs, and the ability to transfer a number of functions (focus, exposure metering, etc.) directly to the sensor, thus reducing the dimensions of the camera. In addition, the camera processor can read the entire image from such a matrix at once (rather than line by line, as in CCD); this avoids distortion when shooting fast-moving objects. The main disadvantage of CMOS is the increased possibility of noise, especially at high ISO values.

— CMOS (CMOS) BSI. BSI is an abbreviation for the English phrase "Backside Illumination". This is the name of "inverted" CMOS sensors, the light on which does not penetrate from the side of the photodiodes, but from the back of the matrix (from the side of the subst...rate). With this implementation, the photodiodes receive more light, since it is not blocked by other elements of the image sensor. As a result, back-illuminated sensors boast high light sensitivity, which allows you to create images of better quality with less noise when shooting in low light conditions. BSI CMOS sensors require less light to properly expose a photo. In production, back-illuminated sensors are more expensive than traditional CMOS sensors.

— LiveMOS. A variety of matrices made using the technology of metal oxide semiconductors (MOS, MOS — Metal-Oxide Semiconductor). Compared to CMOS sensors, it has a simplified design, which provides less tendency to overheat and, as a result, a lower noise level. It is well suited for the "live" viewing mode (viewing in real time) of the image from the matrix on the screen or in the camera's viewfinder, which is why it received the word "Live" in the title. They also feature high data transfer rates.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Sensor cleaning

The presence in the camera of a special mechanism for cleaning the matrix from dust and other contaminants.

This function is found only in models with interchangeable lenses — "reflex cameras" and MILC (see "Camera type"). When replacing the lens in such cameras, the sensor turns out to be open, and the probability of its contamination is quite high; and extraneous particles on the matrix, at best, lead to the appearance of extraneous artifacts, at worst, to damage to the sensor. To avoid this, cleaning systems are provided. They usually work on the principle of ultrasound: high-frequency vibration "resets" debris from the surface of the sensor.

Note that no cleaning system is perfect — in particular, such systems are “too tough” for condensate, salt deposits and other similar contaminants. So the matrix may still need manual cleaning (ideally, in a service centre). Nevertheless, this function allows you to effectively deal with at least dust, which greatly simplifies the life of the user.

Full HD (1080)

The maximum resolution and frame rate of video captured by the camera in Full HD (1080p).

The traditional Full HD video resolution in this case is 1920x1080; other options are more specific and practically do not occur in modern cameras. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.

Video scene modes

The number and / or types of scene programs for shooting videos provided in the design of the camera.

Scene programs are a set of presets designed for different shooting situations - for example, in sunlight, on a cloudy day, in a darkened room, etc. Also, this list may include other specific modes - for example, creative tools. In any case, the presence of scene programs facilitates the choice of video shooting parameters, which is very useful for novice users.

File recording formats

File formats in which the camera can record video. Given that the footage is designed to be viewed on an external screen, you should make sure that the playback device (DVD player, media centre, etc.) is able to work with the appropriate formats. At the same time, many camera models themselves can play the role of a player by connecting to a TV via an audio / video output or HDMI (see the corresponding paragraphs of the glossary). And if the video materials are to be viewed on a computer, you should not pay special attention to this parameter at all: problems with format incompatibility in such cases rarely occur, but are usually solved by installing the appropriate codec.

Connection ports

— USB C. A universal USB interface that uses a Type C connector. USB ports themselves (all types) are used mainly for connecting the camera to a computer for copying footage, managing settings, updating firmware, etc. Specifically The Type C connector is comparable in size to earlier miniUSB and microUSB, but has a reversible design that allows the plug to be inserted in either direction. In addition, USB C often operates according to the USB 3.1 standard, which allows for connection speeds of up to 10 Gbps - a useful feature when copying large amounts of content.

- HDMI. A comprehensive digital interface that allows you to transmit video (including high resolution) and audio (up to multi-channel) over a single cable. The presence of such a port makes it possible to use the camera as a player: it can be directly connected to a TV, monitor, projector, etc. and view your footage on the big screen. In this case, broadcast capabilities can include not only video playback, but also demonstration of captured photos in slide show mode. HDMI inputs are present in most modern video equipment, and connection is usually not a problem.
Nowadays, there are several versions of the HDMI interface on the market:
  • v 1.4. The oldest version currently relevant, released in 2009. However, it supports 3D video, is capable of working with resolutions up to 4096x2160 at a speed of 24 fps, and in Full HD resolution the frame rate can reach 120...fps. In addition to the original v.1.4, there are also improved modifications - v.1.4a and v.1.4b; they are similar in basic capabilities, in both cases the improvements affected mainly work with 3D content.
  • v2.0. Significant HDMI update introduced in 2013. In this version, the maximum frame rate in 4K has increased to 60 fps, and support for ultra-wide 21:9 format can also be mentioned. In update v.2.0a, HDR support was added to the interface capabilities; in v.2.0b this function was improved and expanded.
  • v 2.1. Despite the similarity in name to v.2.0, this version, released in 2017, was a very large-scale update. In particular, it added support for 8K and even 10 K at speeds up to 120 fps, and also further expanded the capabilities for working with HDR. This version was released with its own cable - HDMI Ultra High Speed; all features of v.2.1 are available only when using cables of this standard, although basic functions can be used with simpler cords.


— Headphone output. Audio output allows you to connect headphones to the camera. As a rule, it is represented by a classic 3.5 mm mini-jack. The presence of such a connector provides the ability to monitor sound during video recording in real time. This is especially important when filming interviews, vlogs and other similar projects.

— Microphone input. Specialized input for connecting an external microphone to the camera. External microphones are significantly superior to built-in microphones in sound quality. Firstly, they are not so sensitive to the camera’s “own” sounds - from buttons, control wheels, focus motors, etc. (and if the microphone uses a long wire and is not attached to the body, these sounds will not be heard at all). Secondly, external microphones themselves have more advanced characteristics. On the other hand, their use is justified mainly for professional video recording; therefore, the presence of a microphone input, as a rule, corresponds to advanced video recording capabilities

Touch focus

The presence of the touch focus function in the design of the camera.

Such focus is necessarily combined with a touch screen (see below). It gives the photographer the opportunity to independently choose a point for focus in the frame being shot: for this, it is enough to touch this point on the image displayed on the screen. Touch focus is extremely simple and intuitive, and therefore very convenient, especially for beginners and non-professional users.

Viewfinder crop

This setting can be simplistically described as the amount of magnification provided by the viewfinder relative to how the image appears to the naked eye. The features of modern viewfinders are such that most of them have crop values less than 1 — that is, it somewhat reduces the visible “picture”.

In general, the larger this parameter, the larger the objects look in the viewfinder and the easier it is to focus through it.
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