Comparison Denon CEOL N9 vs Denon CEOL Carino

— Built-in memory. Own memory allows you to store and play music and other content directly using the audio system, without the use of external media (which can become damaged or lost). Such memory can be based on hard drives or SSD modules; the first option provides good capacity at a low cost, the second is faster and more reliable.

— USB port. A classic USB port, which in this case is usually used for flash drives, external hard drives or other devices with a storage function - for example, miniature audio players. USB functionality includes, at a minimum, direct playback, but may provide other capabilities, such as file sharing with the built-in memory (see above). In addition, if necessary, a connected device (for example, a pocket player) can be charged through this port.

- Card reader. A device for reading information from memory cards; Such media are very popular in modern electronics. Most often, card readers are designed for various versions of SD or microSD cards, but other options may also occur; This point should be clarified separately in each case. The purpose of this function is much the same as the USB port described above: it is primarily used for direct playback, but other functions may also occur.

- CD. Having a CD drive means at least the ability to work with d...iscs recorded in the CD Audio format (up to 74 minutes of high-quality audio, divided into tracks). In addition, modern audio systems often provide support for discs with MP3 files; In this format, one disc can accommodate an entire collection of albums, but the sound quality is lower. And sometimes it is possible to work with optical discs in DVD format.

- Vinyl records. Built-in player for playing music from vinyl records. Technically, such media are completely obsolete, but they still have many loyal fans. In addition, many audio systems with this function support recording to USB (see “Advanced”); this may be useful for vinyl owners who want to transfer their music libraries to more modern media.

In addition to those described above, modern audio systems may include other types of media. For example, some models are equipped with USB type B inputs, so they can connect to a computer via a USB connector and work as computer speakers with advanced capabilities (such as copying music from a PC to an external drive or vice versa).

The type of tuner installed in the audio system. In this case, the type refers solely to the way of setting; for digital broadcasting, see "Tuner bands".

— Analogue. Tuning to the desired frequency in such tuners is carried out mechanically, usually using a wheel and a scale with a slider. Analogue receivers are simpler and cheaper than digital ones, but they are less accurate — you can only approximately set the frequency with such control. This can make it difficult to tune in with numerous stations in a small frequency range (especially for FM broadcasts in large cities). In addition, these tuners "do not know how" to memorize stations. Therefore, analogue modules are used relatively rarely; they are mainly equipped with low-cost audio systems, as well as devices in the “retro” style, where a mechanical scale and a tuning knob are mandatory design elements.

— Digital. The direct tuning of the tuner in such models is performed by an electronic circuit; the user only sets the required frequency by giving commands to the electronics using buttons, a rotary wheel or other control element. Digital tuners are more advanced than analogue tuners, they are more accurate in tuning and can support various additional features — station memory (see below), automatic search, etc.

Radio bands received by the tuner of the music center. Today, the most common support for such ranges is:

- FM. Part of the ultra-short wave (VHF) range ranging from 87.5 MHz to 108 MHz. Uses frequency modulation, which allows you to broadcast music in stereo format with fairly high sound quality, as well as transmit RDS signals (see RDS). At the moment, most music radio stations in the CIS broadcast in this range, as a result of which FM is supported in the vast majority of audio systems. The disadvantage of this option is the limited reception area - a maximum of several tens of kilometers from the transmitter - so FM broadcasts can usually be listened to within the same city and nearby environs.

- AM (from the English amplitude modulation - amplitude modulation) - radio broadcasting using amplitude modulation. Typically this term refers to medium wave broadcasting in the range 520–1610 kHz; Most consumer AM receivers are designed for these same frequencies. The reception range of AM stations can be hundreds of kilometers, but the sound quality is lower than on FM, so this format is mainly broadcast by talk and news radio stations.

- DAB+. DAB is an abbreviation for Digital Audio Broadcasting, i.e. “digital radio broadcasting”; and “+” means an improved version of this standard. Formally, DAB+ is not only a band, but also a signal transmission format: unlike all the options described above, it is, as the name suggests, digital. This provi...des a number of advantages over traditional transmitters - in particular, longer range with less power and high quality of broadcast audio. In addition, this sound is practically not subject to distortion: weak interference does not affect its quality, and when the transmitter power is critically reduced, the signal is not distorted, but disappears entirely. The latter, however, can be written down as a disadvantage; but the really significant drawback of this option is its low prevalence (so far) in the CIS countries. Technically, such broadcasting can be carried out in any range above 30 MHz, but in practice several options are used (depending on the country) related to the VHF range. Note that DAB+ tuners are capable of receiving radio broadcasts of the original DAB standard, but not vice versa.

The total sound power provided by the audio system at maximum volume, in other words, the total power of all the speakers provided by the device (including the subwoofer).

The higher the power, the louder the system will sound and the larger the area it can cover. On the other hand, high power significantly affects the price, dimensions, weight and power consumption of the device. In addition, when evaluating and comparing according to this indicator, it is worth considering some nuances. Firstly, some manufacturers go to the trick and give in the characteristics not the average, but the peak sound power; such numbers can be quite impressive, but they have very little to do with real loudness. So if it seems to you that the claimed power is too high, it's ok to clarify what exactly is meant in this case. Secondly, when comparing, it is worth considering the presence of a subwoofer — it plays an auxiliary role, but it can account for more than half of the total system power. Because of this, for equal total power, a device with a subwoofer may be quieter than a model without a subwoofer: for example, a 2.0 40W system will have 20W per main channel, while a 2.1 40W model may have 20W per subwoofer, and only 10 watts for the main speakers.

Nominal sound power (see "System power") on each of the main channels of the audio system. This indicator is most often indicated in models with a subwoofer (see "Number of channels"); knowing it, you can estimate the power distribution between the main speakers and the subwoofer.

The number of distinct frequency ranges (bands) into which sound is divided when played through the acoustics of an audio system. For each such band, a separate speaker is provided, and sometimes several.

The simplest option provides 1 lane; it is very popular in modern audio systems, because. requires a minimum number of speakers, and the sound quality can be quite good. More advanced options provide 2-3 bands (low and high frequencies, or bass, treble and medium), and in high-end models, the number of bands can be up to five. Note that, in addition to integers, models are also produced with a fractional number of stripes — for example, 2.5 or 3.5. This marking indicates the presence in the design of a speaker responsible for two bands at once: for example, model 2.5 has separate speakers for bass and treble plus a combined bass + midrange (similar in design to bass, but also loaded with mid frequencies).

Anyway, the abundance of bands, usually, indicates a high class of acoustics: the more separate frequency ranges, the narrower the specialization of each speaker, the more accurately it is able to reproduce its part of the signal, and the more complex the system is.

The term "impedance" refers to the resistance of a speaker system to alternating current. Note that in the case of audio systems, this parameter plays a secondary role: it is important for selecting acoustics for an amplifier, and here both of these components are in most cases optimally matched by the manufacturer to each other. Therefore, in fact, information about the impedance can be useful only when looking for speakers to replace the complete ones: it is highly desirable that the new acoustics have the same impedance as the standard ones.

The total frequency range reproduced by the acoustics of an audio system. Measured from the lower threshold of the lowest frequency speaker to the upper threshold of the highest frequency: for example, in a 2.1 system with main speakers at 100 – 22000 Hz and a subwoofer at 20 – 150 Hz, the total value will be 20 – 22000 Hz.

In general, the wider the frequency range, the fuller the reproduced sound will be, the less low and high frequencies will be lost due to insufficient acoustic capabilities. On the other hand, do not forget that the actual sound quality also depends on a number of other parameters — primarily the frequency response. In addition, human audible frequencies range from 16 Hz to 22 kHz; deviations from these values are very small, and the upper limit also decreases with age. Therefore, from a practical point of view, it does not make sense to provide too large a frequency range; and impressive performances like 10 – 50000 Hz, found in top-class models, are usually more of a kind of "side effect" of high-quality speakers (and at the same time — a marketing ploy) than a really significant moment.

The presence of an equalizer function in the audio system.

Equalizer allows you to change the timbre of the sound by adjusting the volume for individual frequency bands. The simplest version of this adjustment provides 2 bands (high and low frequencies), but most often there are more bands. Anyway, the equalizer can be useful both for fine-tuning the sound to your own preferences, and for compensating for the shortcomings of external or standard acoustics, connected headphones, etc. - for example, if the speakers "fail" certain frequency bands. In addition, many audio systems have a set of equalizer presets (presets), usually designed for different styles of music - "Classic", "Rock", "Pop", etc. You may also be able to create and edit your own presets.