Casio MZ-X300
Photos 4 | Outdated Product $960.00 Type: synthesizer (rompler); Number of keys: 61; Size: full size; Mechanics: active; Rigidity: semi-weighted; Polyphony (voices): 128; Built-in timbres: 950; Auto accompaniment; Accompaniment styles: 180; Custom styles: 100; Metronome; Sequencer (recording); Sampling; Mixer; Built-in compositions |
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Casio synthesizers are better known as low-cost models for learning. What can not be said about the MZ-X line. The MZ-X300 model is a professional-level instrument that successfully competes with such keyboard giants as Roland and Yamaha not only in price, but also in quality.
Rich sound
The key feature of the MZ-X300 is the 5.3-inch colour touchscreen display. It is very convenient to work with it, because the musician can literally select settings and adjust the sound with one finger. The built-in 2x20 W speaker system with the Bass-Reflex function produces a very dense rich sound, which is enough for a small hall, cafe, bar. However, the claimed power is slightly exaggerated.
The abundance of settings and timbres, of which only 950 are built-in, create a voluminous and expressive sound picture. 280 accompaniment styles and an arpeggiator help diversify the performance of compositions, especially when it comes to dance and euro-pop styles.
Customization and Recording Options
Another advantage of the tool is the ability to reconfigure all controllers to suit your own playing style. Even the display can act as a controller. The synthesizer allows you to record your own samples and play them during a performance using the phrase pad panel. You can also import the sound of any instrument in WAV format via the instrument input on the rear panel and record it, along with accompaniment, directly to a flash drive.
The fly in the ointment is the keys. Over time, they begin to rattle from intense and frequent play.
Casio MZ-X300 successfully combines the capabilities of an interactive synthesizer and a workstation, while at an affordable price. Therefore, it is successfully in demand, both among teachers of music schools and colleges, and professional musicians.