Audio Interfaces RME

Offers 4 balanced microphone and line inputs via Neutrik XLR/TRS combo jacks
Amplification can be set between 10 and 60 dB. LEDs for signal, clip, and activated phantom power complete the list of features

192kHz D/A Converter with 64-in/64-out Dante I/O 128-in/128-out MADI I/O
32-channel

192kHz D/A Converter with 128-in/128-out AVB I/O 128-in/128-out MADI I/O
32-channel

192kHz A/D Converter with 64-in/64-out Dante I/O 128-in/128-out MADI I/O
32-channel

64-Channel
AES/EBU on DB25 I/O
Supports up to 192kHz
Unique Status Displays for MADI and AES
Transfer RS232 Data via MADI

Sixty-four channel MADI/AES format converter
Support for up to 192kHz sample rates with MADI and AES
Supplies word clock in Single, Double and Quad Speed, distributes Double Wire 96kHz signals into the MADI data stream and to the AES ports and supports the double MADI sample rate (96k frame)
SyncAlign and SyncCheck technologies ensure perfect synchronization and clear detection of errors
Extensive status displays give information about Lock and Sync states, audio content and the physical quality of the incoming signal

1-Lane PCI Express Endpoint device (no PCI Express to PCI Bridge), revision 1.1
Packet-based full-duplex communication (up to 500 MB/s transfer rate)
Sample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz, variable (Sync/word clock)
Automatic and intelligent master/slave clock control
All settings changeable in real-time

The HDSPe AES is a short-length PCI Express card with AES/EBU interfaces. It provides eight AES inputs (16 channels) and eight AES outputs (16 channels) at 192 kHz sample rate. The card is also equipped with two MIDI I/O ports, word clock I/O, and can be used with the optional TCO module for synchronization to LTC and video.The HDSPe AES is RMEs reaction to requests from audio professionals for an AES-based solution with the typical RME features and quality. This audio card is a perfect all-in-one solution for professional users in the fields of broadcast, TV, theater, stage/PA - and in any professional studio.The card's mainboard contains word clock I/O and a 25-pin D-sub connector, providing …

Intelligent Clock Control: Not only displays every clock status but will also retain the last valid input sample rate in case of failure of the external source
TotalMix FX: Since 2001 TotalMix added unlimited routing and mixing to RME‘s audio interfaces. Its unique capability to create as many independent submixes as output channels available turned it into the most flexible and powerful mixer of its kind
DigiCheck: RME Audio interfaces not only provide you with a professional digital audio interface but also with a free available software tool, DigiCheck, for metering, testing, measuring, and analyzing digital audio streams
SteadyClock FS: Excellent performance in all clock modes and High-Quality An…

USB 3.0
1 x Phones Output
TotalMix FX
ARC USB
4 x Gigabit Ethernet (802.3 compliant)

14-in/16-out USB 2.0 Audio Interface
AES/SPDIF/ADAT Digital I/O
with 2 Mic/Line Preamps
Headphones Output
2 Analog Outputs

LTC can be derived and generated in all common formats, i.e. 24, 25, 30, and 29.97 frames. drop-frame or non-dropframe. Commonly used Pull-Up- and Pull-Down formats (+/- 0.1% and +/- 4%) can be utilised, and PAL and NTSC video formats will be automatically detected and processed.
The received Time Code can be sent to the audio or video application as ASIO Positioning Protocol (APP) or MTC. An application can send APP or MTC to the TCO, which will generate LTC on hardware level with lowest jitter (no software/driver routine). Several fly-wheel functions facilitate chase operation (adjustable drop-out length, Continuous- or Jam-Sync).
Under Windows the TCO provides the SMPTE position as APP …