Information in model description is for reference purposes. Before buying always check characteristics and configuration of product with online store manager
When you make a purchase through links on our site, we may earn an affiliate commission.
SIRUI 50mm T29 16X Full-Frame Anamorphic Lens Cinema Lens E Mount FFEK6
SIRUI full-frame lens with wider aspect ratio-1.6x factor for immersive experiences.
This anamorphic lens features a 1.6 tim... morees squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you’ll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.
Creates cinematic effects such as horizontal sci-fi reflections, impressive light flare effects and an oval bokeh. With a squeeze factor of 1.6 times, this cine lens delivers a horizontal angle of view we'd expect from a 31mm regular lens with more pleasing oval bokeh balls, adding extra expressiveness and aesthetics to the footage. Pointing a lightsource directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.
Focal Length: 50mm | Maximum Magnification: 1:12.83 (V), 1:20.42(H) | Maximum Support Frame: Full Frame | Aperture: T16-T2.9 | Aperture Blades: 10
Lens Mount: E Mount | Construction: 16 Elements in 13 Groups | Max Dia:88mm/3.46" | Total Length: 142.9mm/5.63” | Weight: 1073.6g/2.37lbs
Sirui 50mm T2.9 1.6x Anamorphic Lens for Sony E FFEK6-E
Sirui Goes Full FrameIn the past few years, Sirui 1.33x APS-C anamorphic lens lineup has disrupted the market with its compet... moreitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.What You Get is What You SeeAs the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we'd expect from a 31mm regular lens and the superorganic background blur, which help render your storytelling much more nuanced and engaging.Beautiful Oval BokehThis lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.Vibrant Lens FlaresPointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.A Maximum Aperture of T2.9When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.Cine Lens HousingThis lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of a follow-focus system. With a 1/4 screw hole at the bottom, the lens can be mounted directly or the quick release plate to maintain the balance of the whole setup.Match Perfectly with Full Frame CamerasThis model comes in native mount for E mount camera systems, compatible with such full-frame cameras as Panasonic SIH, ED KOMODO, RED V-RAPTOR ST, Canon R5, C300, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full-frame anamorphic lenses, this lens is going to make anamorphic accessible to more people for more situations.
SmallRig Sirui 50mm T2.9 1.6x Anamorphic Lens for Sony E FFEK6-E
Sirui Goes Full FrameIn the past few years, Sirui 1.33x APS-C anamorphic lens lineup has disrupted the market with its compet... moreitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.What You Get is What You SeeAs the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we'd expect from a 31mm regular lens and the superorganic background blur, which help render your storytelling much more nuanced and engaging.Beautiful Oval BokehThis lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.Vibrant Lens FlaresPointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.A Maximum Aperture of T2.9When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.Cine Lens HousingThis lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of a follow-focus system. With a 1/4 screw hole at the bottom, the lens can be mounted directly or the quick release plate to maintain the balance of the whole setup.Match Perfectly with Full Frame CamerasThis model comes in native mount for E mount camera systems, compatible with such full-frame cameras as Panasonic SIH, ED KOMODO, RED V-RAPTOR ST, Canon R5, C300, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full-frame anamorphic lenses, this lens is going to make anamorphic accessible to more people for more situations.
Sirui 50mm T2.9 1.6x Anamorphic Lens for Leica L FFEK6-L
What sets the Sirui 50mm T2.9 1.6x Anamorphic Lens for Leica L apart is its unparalleled performance and innovative design. F... moreollowing the success of the Sirui 1.33x APS-C anamorphic lens, Sirui continues to redefine the industry standards with this full-frame anamorphic lens. This lens boasts a 1.6x squeeze factor, offering a wider field of view and a unique cinematic aesthetic. When shooting in a 3:2 aspect ratio, it delivers a 2.4:1 output, and when set to 16:9, it produces a stunning 2.8:1 aspect ratio, reminiscent of the immersive IMAX format. The Sirui 50mm T2.9 1.6x Anamorphic Lens is a versatile tool for both grand scenes and tight shots. Its full-frame design allows for wider shots than its APS-C counterparts, providing ample room for post-production adjustments without compromising image quality or resolution. The 50mm focal length of this lens closely mimics the human eye's field of view, making it an excellent choice for capturing authentic, engaging narratives. The 1.6x squeeze factor enhances the horizontal angle of view, equivalent to a 31mm regular lens, and produces a distinctive oval bokeh for added expressiveness and aesthetics. This lens is also known for its vibrant, signature blue lens flares, adding a touch of magic to your images. With a maximum aperture of T2.9, it excels in low-light conditions, providing a shallow depth of field with the subject in sharp focus and the background beautifully blurred. The stepless aperture ring ensures smooth iris control for precision shooting. Constructed with an aluminium alloy barrel, this lens features geared aperture and focus rings for easy installation of a follow-focus system. It also includes a 1/4 screw hole for direct mounting or quick release plate installation, ensuring balance in your setup. Designed for Leica L mount camera systems, this lens is compatible with a range of full-frame cameras, including Panasonic SIH, RED KOMODO, RED V-RAPTOR ST, Canon R5, C300, Sony FX3, and Nikon Z6. As a cost-effective alternative to branded full-frame anamorphic lenses, the Sirui 50mm T2.9 1.6x Anamorphic Lens makes the anamorphic aesthetic more accessible to photographers and filmmakers alike.
Sirui 50mm T2.9 1.6x Anamorphic Lens for Canon RF FFEK6-R
Sirui Goes Full FrameIn the past few years, Sirui 1.33x APS-C anamorphic lens lineup has disrupted the market with its compet... moreitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.What You Get is What You SeeAs the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we'd expect from a 31mm regular lens and the superorganic background blur, which help render your storytelling much more nuanced and engaging.Beautiful Oval BokehThis lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.Vibrant Lens FlaresPointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.A Maximum Aperture of T2.9When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.Cine Lens HousingThis lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of a follow-focus system. With a 1/4 screw hole at the bottom, the lens can be mounted directly or the quick release plate to maintain the balance of the whole setup.Match Perfectly with Full Frame CamerasThis model comes in native mount for Canon RF mount camera systems, compatible with such full-frame cameras as Panasonic SIH, ED KOMODO, RED V-RAPTOR ST, Canon R5, C300, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full-frame anamorphic lenses, this lens is going to make anamorphic accessible to more people for more situations.
Sirui Goes Full FrameIn the past few years, Sirui 1.33x APS-C anamorphic lens lineup has disrupted the market with its compet... moreitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.What You Get is What You SeeAs the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we'd expect from a 31mm regular lens and the superorganic background blur, which help render your storytelling much more nuanced and engaging.Beautiful Oval BokehThis lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.Vibrant Lens FlaresPointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.A Maximum Aperture of T2.9When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.Cine Lens HousingThis lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of a follow-focus system. With a 1/4 screw hole at the bottom, the lens can be mounted directly or the quick release plate to maintain the balance of the whole setup.Match Perfectly with Full Frame CamerasThis model comes in native mount for Canon RF mount camera systems, compatible with such full-frame cameras as Panasonic SIH, ED KOMODO, RED V-RAPTOR ST, Canon R5, C300, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full-frame anamorphic lenses, this lens is going to make anamorphic accessible to more people for more situations.
Sirui Goes Full FrameIn the past few years, Sirui 1.33x APS-C anamorphic lens lineup has disrupted the market with its compet... moreitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.What You Get is What You SeeAs the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we'd expect from a 31mm regular lens and the superorganic background blur, which help render your storytelling much more nuanced and engaging.Beautiful Oval BokehThis lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.Vibrant Lens FlaresPointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.A Maximum Aperture of T2.9When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.Cine Lens HousingThis lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of a follow-focus system. With a 1/4 screw hole at the bottom, the lens can be mounted directly or the quick release plate to maintain the balance of the whole setup.Match Perfectly with Full Frame CamerasThis model comes in native mount for Canon RF mount camera systems, compatible with such full-frame cameras as Panasonic SIH, ED KOMODO, RED V-RAPTOR ST, Canon R5, C300, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full-frame anamorphic lenses, this lens is going to make anamorphic accessible to more people for more situations.
This website uses cookies. Proceeding to use this website gives your consent for gathering and processing your data for analytic and marketing purposes.
