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For those who don’t have the time or the means to take a nice long stroll in Manhattan, Reflections of NYC I by NW Art can be a refreshing alternative. This piece focuses in on an iconic corner buildi more→ng that commonly towers over the streets of New York. The image’s high level of detail as well as its artistic use of black and white coloring brings a mesmerizing urban aesthetic to your interior décor no matter where you live. Color: Grey.
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In the Skies I, by Martin Henson, make us (the onlooker) the subject of a bird’s-eye-view. This print is of an original black and white photograph which depicts birds in flight, becoming dark silhouet more→tes against the brightness of the sky. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Hazed Honeycomb II by Grace Popp is geometric goodness in bright form. The color-scheme of this honeycomb has cool tones ranging from lime green to pale blue and forest green. This fine-art full color more→giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Structural Details III is a print of an original photograph by Jeff Pica. Depicting classical Greek architecture in the Ionic order, the repeated columns showcase slender, fluted pillars wi more→th decorative scrolls on top. The black and white with tones of grey gives the print a dramatic edge, and illustrates how the classics are still relevant in modern times. Color: White.
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The NW Art Structural Details IV features the iconic columns found commonly in architecture throughout ancient Greece. The style known as the Doric order is depicted in this photographic print, which more→is one of the simplest varieties. Although uncomplicated, the use of repetition combined with the beams of light on the columns makes this piece an instant classic and will uplift a number of spaces with a timeless aesthetic. Color: White.
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Put your hand over your left eye and read lines one through five. Now, put your hand over your right eye and read lines six through eleven. Clearly, you can read, but do you feel inspired? That’s exac more→tly how you should feel with the Eye Chart I by NW Art. This contemporary piece showcases our most treasured virtues and concepts in bold, gritty letters that run down the canvas like an old fashioned eye-test. In this way, we are reminded to check our sight as well as our principles on a regular basis. Color: White.
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Shadow, by Martin Henson, takes a dramatic perspective on a manmade monument. This print is of an original black and white photograph, capturing how a stormy, yet light filled sky has created a broad more→stroke of shadow against the ocean. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Seen up-close like this, the structural foundation of a bridge feels like organized chaos—made especially more dramatic in black and white. Structural Details IX is a print is of an original photograp more→h by Jeff Pica, and is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Grey Slate III, by Nikki Galapon, is a study in grayscale laid out in a nice grid. Pools of light to dark greys are layered together to create depth, even with the absence of color. This fine-art gicl more→ee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Symbol Imprint II by June Erica Vess is shattered to the point of no return, and we like it that way. Abstract in every sense of the word, this fine-art print is a sure-fire way to add contrasting dra more→ma to a space, and given that there is an absence of anything figurative, invites the viewer to project any interpretation they want on the image’s meaning. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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How good is your eyesight? Don’t strain your eyes too much, but the message Eye Chart II by Andrea James is worth reading into: “Grow. Vision. Change. Passion. Respect. Destiny. Celebrate. Discover. I more→ntegrity. Commitment. Opportunity.” This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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It’s as if you are standing beneath the Gateway Arch yourself. Sky Sculpture II, originally photographed by Tang Ling, gives us a first-person view of the famous landmark in St. Louis, and makes it al more→l the more dramatic in black and white. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art State Pride Collection F is an homage to the great state of California, with notable cities mentioned in different typefaces. Great for those born and bred in the Golden State or for those more→who just appreciate its rich culture, beautiful landscapes and diversity. Print features a green background with an outline of California in black in the center, framed by two transparent copies. Color: Multicolor.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern I by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary alo more→ng each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Modern Dance II features a mirrored image of converging lines that are exactly alike, save for the colors used. The flowing and converging lines depict dynamic movement, as well as two sepa more→rate color pallets merging into one. The deep colors truly pop against the subdued background, which features a very subtle texture. Color: Multicolor.
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The NW Art Modern Dance IV is a blend of traditional art concepts and modern ideas. Taking the infamous brush stroke with the help of software programs, two large fluid lines are pictured vertically, more→one in darker tones and the other in complementing neutrals. Either interpreted as an abstract or a group of dancers all dancing in unison, the final imagery is up to the viewer. Color: Multicolor.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern II by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern III by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary a more→long each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Modern Dance I depicts a fluid shape that is symmetrical, except for the colors used. The majority of the color pallet used in this piece are evocative of skin tones, portraying a large gro more→up of people all dancing in unison. Like viewing a dance team through an artist's eyes, the abstract quality is engaging as well as open to interpretation. Color: Multicolor.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern IV by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Modern Dance III features a flowing shape with colors that all seem to melt together. How the colors seamlessly blend along with the shape of the streaming lines depicts a sense of movement more→, evocative of a group of dancers all dancing in unison. The many different colors are reminiscent of the range of skin tones, portraying a sense of unity among a diverse group. Color: Multicolor.
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Circularity IV by Jodi Fuchs is a soft, geometric composition made with painterly strokes and a subdued color palette. The composition has a close-up quality that give us, the viewer, the ability to d more→ecide what we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Circularity I by Jodi Fuchs is an abstract yet calming composition made with soft, buttery strokes and geometric shapes. The composition has a close-up quality that give us, the viewer, the ability to more→discern whatever we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Circularity II by Jodi Fuchs is a soft, geometric composition made with painterly strokes and a subdued color palette. The composition has a close-up quality that give us, the viewer, the ability to d more→ecide what we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Clear.
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