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Comparison Nikon 18-55mm f/3.5-5.6G VR AF-P DX Nikkor vs Nikon 18-55mm f/3.5-5.6G AF-S ED II DX Zoom-Nikkor

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Nikon 18-55mm f/3.5-5.6G VR AF-P DX Nikkor
Nikon 18-55mm f/3.5-5.6G AF-S ED II DX Zoom-Nikkor
Nikon 18-55mm f/3.5-5.6G VR AF-P DX NikkorNikon 18-55mm f/3.5-5.6G AF-S ED II DX Zoom-Nikkor
from $987.45 
Expecting restock
from $78.00 up to $96.00
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System
Nikon
Nikon
Mount
Nikon F
Nikon F
Specs
Focal length18 - 55 mm
18 - 55 mm /27 – 82.5mm with APS-C sensors (Nikon DX format)/
Aperture valuef/3.5 - f/5.6f/3.5 - f/5.6
Viewing angles76° - 28°50'
Min. diaphragm
22 /38/
22 /22 - 38/
Minimum focus distance0.25 m0.28 m
Maximum zoom0.310.31
Design
Sensor sizeAPS-C
APS-C /Nikon DX/
Autofocus drive
stepper motor /stepper/
ultrasonic drive motor
Image stabilization
Design (elements/groups)12 elements in 9 groups
7 elements in 5 groups /including 1 ED and 1 aspherical element/
Number of diaphragm blades77
Filter diameter55 mm52 mm
Dimensions (diameter/length)65х63 mm70.5x74 mm
Weight205 g205 g
Added to E-Catalogjanuary 2016november 2006

Viewing angles

This parameter determines the size of the area of the scene being shot that falls into the frame. The wider the viewing angles, the larger the area the lens can capture in one shot. They are directly related to the focal length of the lens (see "Focal length"), and also depend on the size of the specific matrix with which the optics are used: for the same lens, the smaller the matrix, the smaller the viewing angles, and vice versa. On our website, in the characteristics of optics, viewing angles are usually indicated when used with the matrix for which the lens was originally designed (for more details, see "Matrix Size").

Minimum focus distance

Minimum focus distance (m) - the smallest distance from which you can focus on an object and take a photo. Usually it ranges from 20 cm for wide-angle lenses to several metres for telephoto. In the macro mode of the camera or with the help of macro lenses, this distance can be less than 1 centimeter.

Autofocus drive

A type of drive that ensures the movement of lens structural elements during automatic focus. Currently, the following types can be used:

Ultrasonic motor. The most advanced type of drive to date. Ultrasonic motors are much faster than conventional motors, provide higher accuracy, consume less power and are virtually silent. However, their cost is quite high.

Stepper motor. Drive control focal length and zoom (zoom). This type of motor is used for the most part only in full-size digital cameras. Among the advantages of a stepper motor, one can note: high reliability and accuracy of operation; in addition, it does not require power supply to maintain focus and zoom. Of course, stepper motors are not without drawbacks. Among the minuses can be identified: slow speed and increased noise. Additionally, a stepper motor is characterized by large dimensions and a rather large weight, which physically does not allow this type of drive to be integrated into the optics of mobile phones and ultra-compact cameras.

— Motor. In this case, an electric motor of a traditional design is meant. Such drives are simple and, as a result, inexpensive. Their disadvantages are the relatively low speed of operation, as well as the noise produced during this; the latter can sometimes be critical — for example, when shooting wildlife. Recently, designers have been us...ing various tricks to neutralize these shortcomings, but in general, the characteristics of conventional motors still remain relatively modest.

— Is absent. The complete absence of an autofocus motor in the lens. Focus such optics can be carried out either by the “screwdriver” system, or strictly manually (for more details on both options, see below).

Image stabilization

The presence in the lens of its own image stabilization system. Such a system includes gyroscopes and movable lenses that compensate for small tremors of the lens and prevent the appearance of “shake”. Stabilization is especially relevant when shooting handheld, especially at slow shutter speeds and/or at long distances with high magnification: it is in such conditions that “shake” affects the quality of the image the most. At the same time, it should be taken into account that the presence of a stabilizer significantly affects the weight, dimensions and, above all, the price of optics; at the same time, some modern cameras have their own stabilization systems (due to matrix shift). Therefore, it makes sense to choose a lens with this function in the case when maximum protection against “shake” is of fundamental importance.

Design (elements/groups)

The number of elements (in fact, the number of lenses) included in the design of the lens, as well as the number of groups in which these elements are combined. Usually, the more elements provided in the design, the better the lens handles with distortions (aberrations) when light passes through it. On the other hand, numerous lenses increases the dimensions and weight of the optics, reduces light transmission (for more details, see "Aperture") and also puts forward increased requirements for the quality of processing, which affects the cost of the lens.

Filter diameter

Thread diameter for installation on the filter lens. Light filters are devices for changing the parameters of the light flux entering the lens. They can be used for highlighting individual colours, coloring the entire image in one colour, darkening the image, correcting colour temperature and light balance, shooting in the infrared range, etc. Also, a light filter can play the role of protection against pollution. For successful installation on the lens, the diameter of the filter must match the diameter of the filter specified for this model of optics.
Nikon 18-55mm f/3.5-5.6G VR AF-P DX Nikkor often compared
Nikon 18-55mm f/3.5-5.6G AF-S ED II DX Zoom-Nikkor often compared