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Comparison Asus Xonar U5 vs Creative Sound Blaster X-Fi Go! Pro

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Asus Xonar U5
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Asus Xonar U5Creative Sound Blaster X-Fi Go! Pro
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Featureson camera flasheson camera flashes
Specs
Typeexternalexternal
InterfaceUSBUSB
Channels5.12
AudiochipC-Media CM6631AX-Fi
StandardsEAX 5.0, OpenAL
ASIO
Mac compatibility
DAC
DAC resolution24 bit24 bit
Max. sampling rate192 kHz44.1 kHz
Dynamic Range104 dB
Signal-to-noise ratio104 dB
ADC
ADC resolution24 bit16 bit
Max. sampling rate192 kHz44.1 kHz
Dynamic range104 dB
Signal-to-noise ratio104 dB
More features
headphones amplifier
 
Inputs
mini-Jack (3.5 mm)11
Outputs
mini-Jack (3.5 mm)41
Coaxial S/P-DIF1
Added to E-Catalogdecember 2014february 2014

Channels

The most advanced multi-channel audio format that a sound card is capable of outputting.

2. Standard stereo sound on two channels — left and right. This format allows you to provide a sense of surround sound (especially when using headphones), which is quite enough for most simple tasks. However, it noticeably loses to multi-channel sound in terms of the "immersion effect", which can be critical for demanding gamers and audiophiles.

5.1. The classic and most popular multi-channel surround sound format today: a centre channel, two front and two rear channels allow you to achieve a full-fledged “surround effect”, and a separate subwoofer channel provides rich bass sound.

7.1. The 7.1 format differs from 5.1 by the presence of two additional channels. There are several options for localizing these channels — for example, a pair of side speakers, a pair of additional speakers above the front ones, etc. Anyway, the 7.1 format provides a more reliable surround sound transmission than 5.1, but such cards are more expensive, and there is less specialized content for 7.1.

When choosing a sound card by the number of channels, it is worth considering such moments. Firstly, multi-channel options are capable of producing sound in simpler formats (for example, a 7.1 card can be used for 5.1 acoustics), and stereo sound output is support...ed by all models in general. Secondly, modern multimedia software (in particular, codecs) allows you to output multi-channel audio through a card with fewer channels — for example, play 5.1 sound through a two-channel card with stereo speakers without quality loss. Thirdly, for the full-fledged operation of multi-channel sound, you will need not only a card, but also appropriate acoustics; therefore, it makes no sense to specifically look for a multi-channel model if you plan to use exclusively stereo speakers.

Audiochip

Brand of the audio chip installed in the sound card.

The audio chip is one of the most important parts of a sound card, a kind of "heart" of the whole circuit, and it is on its characteristics that the sound quality and other capabilities of a particular model largely depend. Knowing the brand of the chip, you can easily find various information on it — official specifications, test results, reviews, etc. — and based on this, draw a conclusion to what extent this sound card is able to meet your requirements. Of course, for ordinary video cards (see "View") there is no need to delve into such details, but when choosing a gaming or audiophile model, they can be very useful.

Standards

Various standards and special digital audio technologies that the sound card is officially compatible with. For example, the Dolby and DTS standards in various variations are used primarily for multi-channel audio tracks in films, while DirectSound and EAX provide high-quality “surround” sound in games. In fact, the ability to work with one or another standard is largely determined by the software part of the system, and not by the characteristics of the sound card; however, official compatibility means at least the full compliance of the card with the requirements of the standard and the minimum risk of conflicts at the hardware level.

ASIO

Sound card compatible with ASIO standard.

ASIO (an abbreviation for Audio Stream Input/Output, i.e. “audio stream input-output”) is a technology designed for professional work with sound in the Windows environment; in particular, it reduces latency and improves the accuracy of the audio stream. If you do not plan to seriously engage in recording, mixing tracks, etc., most likely you will not need this function, but for musicians, sound engineers and other similar professionals, it can be very useful. The ASIO standard provides both software and hardware requirements; therefore, to fully use it, you must have a compatible audio card.

Mac compatibility

Ability to work sound card with Mac computers.

Mac (Macintosh) in this case can be attributed to both the eponymous line of desktop computers manufactured by Apple and MacBook laptops. Both of them have certain hardware differences from "regular" PCs and laptops, in addition, they were originally created for Apple's own MacOS operating system. All this led to specific requirements for peripheral devices, including and sound cards — not all models are able to work normally with a Mac. Therefore, if you purchase a sound card for such a computer or laptop, you should make sure that Mac support is directly claimed for the selected model.

Note that Apple products have very limited possibilities for replacing internal peripherals by the user, and sound cards are not included in the list of replaceable components at all. Therefore, Mac-enabled models are usually referred to as external (see "Type").

Max. sampling rate

The highest sampling rate provided by the digital-to-analogue converter (DAC) of the audio card. For more details on the role of the DAC, see paragraph "Bit depth" above. Here we note that the quality of its work directly depends on the sampling frequency: the higher it is, the less distortion occurs when converting sound.

Usually in sound cards there are standard values for the maximum sampling rate:

44.1 kHz — corresponds to the sound quality of Audio CD;
48 kHz — DVD;
96 kHz — DVD-Audio 5.1;
192 kHz — DVD-Audio 2.0 (two-channel audio has a higher sampling rate than multi-channel audio for a number of reasons), the highest value in modern consumer-grade sound cards.

Another specific point is that the quality of sound played on a computer cannot be higher than the capabilities of a sound card. In other words, if an audio file is recorded at a higher sampling rate than the audio card can provide, its sound quality will be reduced: for example, on a 44.1 kHz card, even DVD-Audio sound will sound like an Audio CD. Therefore, if you want to fully enjoy high-quality sound, you should choose a model with a high sampling rate.

Dynamic Range

The dynamic range of a DAC is the ratio between the loudest sound that the converter can produce and the quietest. The wider the dynamic range — the richer the sound will be, the lower the likelihood that quiet sounds that complement the overall picture will be muffled during conversion. At the same time, it is worth noting that almost all modern sound cards provide a dynamic range that is quite sufficient for comfortable everyday use, and in many models this parameter may not be indicated at all. It is worth paying attention to it when choosing an advanced specialized audio card — for example, a gaming one (see "View"). The minimum for professional models is 90 dB, but in fact, among similar solutions, this figure is usually 120 dB or more.

Signal-to-noise ratio

This parameter determines the ratio of the "clean" sound produced by the DAC at the output to all extraneous noise. As such, it is a pretty strong indicator of sound purity. According to the signal-to-noise ratio, DACs in modern sound cards can be divided as follows:

up to 90 dB — initial level;
90-100 dB — average level, advanced "home" models;
more than 100 dB — professional level.

ADC resolution

The bit depth of the analogue-to-digital converter (ADC) of the sound card. An ADC is a module that encodes an analogue audio signal into a digital format; it is he who is responsible for transmitting sound "to the computer" — for example, through a microphone when communicating via Skype or from a guitar pickup when recording a track. The bit depth is one of the main parameters that describe the quality of the ADC: the higher it is, the less distortion will be introduced into the digitized sound and the higher the maximum possible quality of its recording. Of course, the properties of the actually recorded sound will depend on many other things (hardware, software, settings, file format, etc.), but for high-quality recording, you will definitely need a good ADC.

A bit depth of 16 bits is considered quite sufficient for everyday use, however, even fairly simple models of audio cards are increasingly acquiring 24-bit ADCs.
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