Comparison Canon Speedlite EL-100 vs Canon Speedlite 600EX II

The guide number is the main characteristic that describes the power of the light pulse of the flash. It is described as the maximum distance (in metres) at which, at ISO 100 and f/1 lens speed (aperture 1), a flash is able to illuminate an "average" subject sufficiently for a normal exposure; in other words, at what distance from the flash it will be possible to normally shoot the scene at the specified ISO and aperture.

There are formulas by which, knowing the guide number, you can derive the practical shooting distance for each specific value of sensitivity and aperture. The simplest formula used to calculate the distance at ISO 100 is: S=N/f, where S is the distance, N is the guide number, f is the aperture value. For example, for a guide number of 56 and an f/2.8 lens, this distance would be 56/2.8 = 20 m. Increasing or decreasing sensitivity by a factor of 2 would increase or decrease the specified distance by approximately 1.4 times, respectively. If you need to calculate the distance as accurately as possible, you should refer to more detailed formulas that can be found in specialized sources.

Separately, it is worth noting that the leading numbers of flashes, usually, are indicated by manufacturers for specific focal lengths of lenses. This is due to the fact that the shorter the focal length and, accordingly, the wider the viewing angle, the more light is needed to illuminate the scene being shot and the more powerful the flash pulse should b...e (at the same distance). Therefore, when choosing by the guide number, it makes sense to pay attention to the focal length indicated by the manufacturer and select a model with a power reserve — especially since guide numbers are often prescribed for rather “long-range” lenses (with a focal length of about 80-100 mm in equiv. 35 mm).

The time it takes the flash or generator (for studio flashes) to prepare for the next flash. The smaller it is, the better. This parameter is especially important for continuous shooting, when the interval between frames is small: if you often shoot in this mode, you should look for a flash with the shortest possible recycle time. Also note that the characteristics usually indicate the shortest recharge time; in some operating modes, it may be significantly more than stated.

The number of flashes that the flash can fire without recharging the battery or changing batteries (see "Power"). This parameter is very approximate, because. in fact, it strongly depends on a number of factors: pulse duration, use of the display and its backlight (if any, see below), autofocus backlight (see "Features"), etc., and with replaceable batteries — even and on their quality. Often, manufacturers indicate in the characteristics the “perfect”, the maximum possible number of pulses — i.e. with their minimum duration, non-use of additional functions and even the optimal temperature regime for the battery. In reality, this figure may be lower. Nevertheless, the data indicated in the characteristics makes it quite possible to evaluate the battery life of the flash and even compare different models with each other.

Flash units with TTL support. TTL is an abbreviation for "through the lens", i.e. "through the lens"; this is the name of the method of measuring exposure by the amount of light that passes directly through the camera lens.

In digital photography, TTL works like a pre-flash: before the main exposure, the flash fires one or more test flashes. The amount of light coming from the object being filmed is measured by special sensors, based on these data, the control electronics sets the necessary shooting parameters, after which the actual exposure takes place. This allows you to fine-tune the camera and get an image of optimal quality. The interval between the test and operating pulses is so small that it may not be visible to the naked eye at all (especially when the flash is synchronized with the front curtain or with a slow shutter speed).

Many modern camera manufacturers have their own developments and varieties of TTL technology, respectively, differing in name: for example, Canon has E-TTL and E-TTL II, Nikon has D-TTL (in early models) and i-TTL (in later ones) , Pentax has P-TTL, etc. Support for one or another variety is directly related to the compatibility of the flash with cameras (see above), and different formats are usually not compatible with each other.

The ability to manually change the power of the light flux emitted by the flash (with the pulse duration unchanged, see above). This feature is present in most modern models; it allows you to set the optimal parameters for shooting, so as not to "overexpose" the frame.

The characteristics of models with power control usually indicate the levels to which it can be set. Traditionally, each subsequent (in descending order) level corresponds to half the power of the previous one, and they are designated by fractional numbers: 1/1 (full power), 1/2, 1/4, 1/8, etc. The features of flash power control depending on the shooting parameters are described in detail in special sources, but in any case, the more settings levels, the more opportunities you have to set the optimal parameters. This is especially true for shooting at short distances, where the risk of excessive "exposure" increases.

The angle at which the main beam of light from the flash diverges. This parameter is not expressed directly, in degrees, but in terms of the focal lengths of the corresponding lenses, in millimetres: for example, a beam angle of 105 mm corresponds to the angle of view of a lens with the same focal length (35 mm equivalent). This makes it easy to select a flash for specific optics, so that it most effectively illuminates all the space in the frame. And the most advanced modern flashes can have a variable dispersion angle, allowing you to adjust them to different shooting features; this feature is especially useful when using zoom lenses. Changing the angle of dispersion is carried out by a movable lens installed in the flash head, it can be carried out both automatically and manually (for more details, see "Functions and Capabilities").

Possibility to turn the flash head (bulb) to the side.

Shooting with a flash aimed directly at the stage, “head on”, is far from always the best option: in particular, this mode gives sharp unpleasant shadows, and in portrait shooting it leads to the “red-eye” effect. At the same time, by turning the head towards the ceiling, you can get soft diffused light. There are other uses for swivel heads.

The simplest flash models with this feature can usually only be rotated in the vertical plane. More advanced options include rotation and horizontally. Here we note that the larger the angle, the more opportunities for setting the location of the head gives the flash. Vertically, it usually does not exceed 90°, and in the horizontal plane it can reach a full 360°.

— Autofocus assist light. The presence of an auxiliary illumination function in the flash for the camera's autofocus system. Modern cameras in the vast majority use the so-called passive autofocus systems, which have one serious drawback: very low efficiency in low light and/or low contrast of the subject being photographed. Autofocus assist light is designed to solve this problem: before focusing, the scene is illuminated by a separate lamp, located, in this case, directly in the flash body. This ensures a sufficient amount of light for normal autofocus operation. Most often, the backlight lamps give off light of a characteristic reddish hue, but some advanced models use infrared illumination - invisible to the eye, but perceived by the camera. In addition, backlight systems can use a special light pattern instead of a solid beam, which further simplifies the task of autofocus systems. In any case, the presence of this function is especially important given that the flash is often used as a light source in low light.

— On-camera control. The ability to change the flash settings using the controls of the camera to which it is connected. In some cases (for example, with a wireless connection), this is much more convenient than switching attention from the camera to the flash.

— Automatic zoom. The ability to automatically change the flash light scattering angle. For the scattering angle..., see the corresponding point above, but here we note that this function provides synchronization between the flash and the lens: when the focal length of the lens changes, the scattering angle automatically changes. This ensures the most effective illumination of the scene and at the same time saves you from having to manually readjust the flash each time to the changed viewing angle.

— Manual zoom. The ability to change the flash spread angle (see "Light spread angle") manually. This function expands the possibilities for "fine" adjustment of operating parameters and allows you to set parameters that are not available with automatic zoom (see above). In addition, it will be useful if you have to use several fixed lenses with different focal lengths - the flash can be easily adjusted for each of them.

— Operation in master mode. The ability to operate the flash as a master for a system of several flashes. The entire system is controlled via the master flash, the parameters of the slave flashes are set, and the command to fire is given (note that the master flash itself may not give a pulse at all). If you plan to shoot using a system of several flashes, you will definitely need a model with this function — without it, creating a system is impossible. Of course, the master and slave flashes must be mutually compatible; this point should be clarified separately.

— Slave mode. The ability to operate the flash as a slave in a system of several flashes. In this mode, the device is connected to the master flash and is triggered by a command from it. For more information on flash systems, see "Master mode operation" above.

— Radio synchronizer. A device designed for wireless control of a flash or a set of flashes (if each of them has its own receiver). Usually it is a separate module installed in a hot shoe; upon a command to trigger, this module sends a radio signal to all receivers tuned to it, ensuring synchronous triggering of the flashes. At the same time, some models of lamps with this function are capable of receiving via radio not only the trigger signal, but also the operating parameters (primarily the duration and power of the pulse).

The ability to wirelessly connect the flash to the camera or to another flash as a master/slave (if such functions are available, see below). The format and specific features of such a connection may vary: wired connection, IR channel, radio, etc. Wireless control is indispensable if the flash needs to be placed away from the camera; it also facilitates the creation of systems from several flashes for organizing optimal lighting. These capabilities are especially useful for studio shooting (although this is not the only thing).